William and the Werewolf
By Michael Smith
A beautifully illustrated mediaeval tale of magic, treachery, chivalry and romance.
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Gawain with William
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Original Linocut - Mediaeval Lovers 1
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William and the Werewolf, also known as William of Palerne (Palermo), is a magical mediaeval love story and adventure romance.
Originally written in France in the twelfth century and then translated into English in the fourteenth, this magnificent alliterative poem tells the story of a young Sicilian prince who is kidnapped by a werewolf. But not all is as it seems – the werewolf is the Spanish prince Alphonse whose stepmother had transformed him so that her son could inherit the kingdom. As for William, he would have been killed or imprisoned by his own wicked uncle were it not for the werewolf…
The story is a parallel adventure following both William and Alphonse as they unravel these injustices and eventually find redemption. Along the way, William falls in love and elopes with the headstrong Melior and it is their relationships that makes this poem truly enchanting. Some of the descriptions of the exquisite pain of first love are still as vivid and realistic today as they would have been 800 years ago.
As well as being a mediaeval adventure romance in its classic form, the poem addresses a wide range of themes. They include inheritance rights; the freedom of women to choose for themselves; the importance of forgiveness; familial duties; the duties of social class; the codes of social behaviour and much more. William and the Werewolf is a book that can be enjoyed on two levels: as a beautiful romance and as a coded insight into the lives and ethics of mediaeval European society.
This edition is translated from the fourteenth century Middle English by Michael Smith, whose translations of Sir Gawain and the Green Knight and King Arthur’s Death have also been published by Unbound. As with his previous books, William and the Werewolf will feature a detailed historical introduction, a comprehensive glossary and notes, and Michael’s own rich linocut illustrations.
William and the Werewolf will appeal not just to mediaevalists and lovers of English literature, but also to anyone who enjoys a beautiful and romantic story where right is done and love conquers all!
Please do support this stunning new translation – it will be a pleasure (and a treasure) for any booklover to own.
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Michael Smith
Michael Smith comes from Cheshire and read history at the University of York, specialising in English and European mediaeval history. In later years, he studied as a printmaker at the Curwen Print Study Centre near Cambridge. His first book, a translation of Sir Gawain and the Green Knight, published in July 2018 from Unbound. His second book The Death of King Arthur is published February 2021. You can find out more about his mediaeval-themed art and printmaking at www.mythicalbritain.co.uk.
- 17th January 2021 The folk motif of the Fair Unknown in William of Palerne
In the words of Leah Haught of the Camelot Project, the "Fair Unknown" is a “universally popular folk motif with strong Arthurian connections in which a young man of questionable lineage becomes an integral part of society. Initially appearing in court without an established identity, the Fair Unknown nevertheless boldly demands to be knighted.” Classic examples in the Arthurian canon are Chretien…
22nd December 2020 Mediaeval marriage vows and dramatic tension in William and the WerewolfIn my last update, I discussed the passion of the two lovers in William and the Werewolf, that between the Sicilian prince William and the Roman princess, Melior. In this update, I want to reflect on the significance of this for the story and how the poet frames the romance so it is rich in tension for its contemporary audience.
Central to the tension is William’s perceived unroyal status …
11th November 2020 Courtly love, sex and desire in William and the WerewolfA central component of William and the Werewolf (the fourteenth century romance also known as William of Palerne) is the love between William, the poem’s central character, and Melior, the daughter of the Roman Emperor. Yet it is how this love plays out which makes us consider our approach to the notion of “courtly love”.
When the emperor first brings William to his palace as a foundling in…
19th October 2020 Home entertainment and the reading of books in the mediaeval household.Public storytelling, alongside minstrelsy, dancing, jesting and games, formed an important part of entertainment in noble, knightly and/or merchant households in fourteenth century England. Such storytelling included readings from stories such as William and the Werewolf (William of Palerne).
Like a number of such works, it takes the form of a long poem, broken down into manageable sections…
5th October 2020 A mediaeval werewolf with a differenceThe character of the werewolf in the Middle English poem William of Palerne (the romance of William and the Werewolf) is one which, when we meet it, is not what we were expecting. A benign creature whose mission is to help others combat injustice is in remarkable contrast to the notion of the werewolf in our own minds. Why is he so different?
To consider the notion of the werewolf, it is important…
These people are helping to fund William and the Werewolf.
View moreTiffany Garbiso
Maarten Daalder
Josh MacLeod
Valentine Page
Alan Montgomery
Victoria Roberts
Johnny Horth
Mark Vent
Brewer Thompson
Gregory Jennings
Emma Bull
Matthew Farenden
Jonathan Macartney
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Christopher Trapp
The Development Team Unbound
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hi, is the £25 Hardback pledge guaranteed to be a first edition?
Hi John - yes it is. Kind regards, Michael.