Burning Down the House

This is the story of Here, The Sisters of Mercy’s long-awaited fourth album.
 
A record yet to be made.
 
The Sisters of Mercy have not released any music since 1993. The last whispers about new recorded material date from the tail-end of the 20th century. Instead of making and promoting records, Andrew Eldritch, The Sisters’ frontman, founder and lodestar has charted a course of his own design through the wreckage of an imploding music industry, winnowing contact with it to the bare minimum. Rather than record, release and promote songs - and hitching the band to all the machinery that entails - Eldritch has narrowed The Sisters’ theatre of operations to just this: they play gigs, sell merch and appear on the bills at festivals. And that is it. They don’t sound like one, but The Sisters are essentially a punk band, operating on the same anti-authoritarian, anti-corporate principles of the fiercely independent Leeds music scene of late ‘70s that birthed them.
 
Although Here does not exist, the songs do.
 
In live performances this album manqué <meta charset="utf-8">comprises half of The Sisters of Mercy’s set, going toe-to-toe with actual hits, such as ‘Temple of Love’, ‘Lucretia’, ‘This Corrosion’ ‘Dominion’ and ‘Alice’. Here, an album in some modal reality, is prime Sisters, a glorious amalgam of melody, synthesised rhythm, metallic guitars and one of rock’s great lyricists on top form. It is equal to - some say it surpasses – its three classic predecessors, First and Last and Always, Floodland and Vision Thing.
 
Although Here does not exist, the band does.
 
The template of Eldritch, plus two guitar players and Doktor Avalanche - a computer containing all the non-guitar parts - and its handler, is long established. The Sisters have endured because all the late-period iterations of the band have been remarkably – although not entirely - stable and harmonious. Each of the guitarists and “Nurses” have played their part in The Sisters’ longevity. Each – including Eldritch – are living proof that making rock music can be thrilling and fulfilling but it requires courage, commitment and sacrifice; the tower of song demands its pound of flesh from its workers, even from the hardiest and the luckiest.
 
While he remains the star of the band, and no doubt more equal than the others, Eldritch is fishing in the same waters, sustaining an independent band on a fragile live circuit buffeted by Brexit, Covid and inflation, and with power and wealth increasingly concentrated into the hands of mega live entertainment conglomerates. Rather than respond to public demand or any career imperative – such as lucrative nostalgia tours, reforming so-called classic line-ups or making a new record - Eldritch has followed the contours of his own peculiar creativity and the iron laws of his sense of self.
 
There is another simple truth: The Sisters of Mercy exist because their audience has never deserted them. While there have been ebbs and flows there has always been a large core following into whom The Sisters dug their claws and never let go. Sisters’ tours bear witness to an extraordinary phenomenon: thousands upon thousands of devotees who have maintained a loving relationship with the band for decades. For them, The Sisters of Mercy offer an enduring and meaningful experience, with deep reserves of affection on which to draw on both sides of the fourth wall.
 
This is an account of how The Sisters of Mercy have refused to die, burn out or fade away. We will miss them when they are gone, but right now - against the grain, against the odds and against all reasonable expectation – they are, in all their perverse and singular glory, still very much alive.
 
“Here” is the successor – rather than sequel - to Mark Andrews’ Paint my Name in Black and Gold, the definitive account of the early years of The Sisters of Mercy.

Here

Unbound is delighted to announce the first English-language print edition of the classic work of speculative evolution, All Tomorrows. The edition will include bonus material including a species commentary and never-seen-before artwork. All backers will get their names printed in the book.
 
<meta charset="utf-8">'Love Today, and seize All Tomorrows!'
 
From C. M. Kosemen:
 
'In the early part of the 00s, inspired the creations of artists such as Wayne Douglas Barlowe, and the writings of Dougal Dixon and Olaf Stapledon, I found myself getting increasingly interested in speculative evolution.
 
After filling numerous notebooks with strange alien creatures and anatomical aberrations, I tried my hand at putting together a more coherent portfolio.
 
I started by contorting the human body to assume the overall features of animals – there were flying people, there were burrowing people, swimming people, predatory people, and so on.
 
At this point I had no idea of making a book in any shape or form. At most, I thought this exercise could take up ten or twelve pages in my sketchbook, and that would be that… In doing them I was pioneering the use of a mixed media approach, layering digital textures over watercolour illustrations in black and white, and detailing them with pencils. Then, as always, I created simply for the joy of creating.
 
Some months passed, and I turned back at my post-human portfolio. I felt that there could be something more I could do with this work. I tried to find a story that could tie all of these concepts together…
 
For some time then I was interested in the narrative possibilities offered by history and 'lore', as opposed to character-driven stories. We all find ourselves spending lots more time on Wikipedia, or reading encyclopaedias, or obscure historic events as opposed to reading character-driven adventures. Yet most (but not all) popular science-fiction stories remain character driven.
 
I knew that the many weird species I created would be impossible to unite with a single coherent story, so I went with the historic narration similar to Edward Gibbon’s Decline and Fall of the Roman Empire, as well as Olaf Stapledon’s incredible books, Star Maker and Last and First Men.
***
 
Thus, All Tomorrows was created, and without much fanfare I released it to the Internet as a free ebook. Looking back, I can today see how processing certain events the world suffered, and certain issues I personally dealt with while writing it, contributed to the book’s quirky sense of optimism against adversity.
 
Perhaps this was why the book enjoyed a renaissance of popularity in 2021 – at a time of pandemic lockdowns and economic turmoil.
 
I am grateful to everyone who popularised my work, and shared their love for it with their friends and loved ones – especially online. I was surprised beyond words to see how quickly All Tomorrows became popular younger audiences…
 
Imagine all the dreams you have when you are in your late teens… You are more idealistic; you think you can do a lot, easily, and be appreciated for it. Life will be a cakewalk. But more often than not, life gets in the way, and amid many rude awakenings and harsh lessons such dreams are seldom realised.
 
With the publication of this exceptional volume, I seem to have been blessed with a rare exception! Not only did a wild plan hatched by my nineteen-year-old-self succeed – but it grew popular beyond my wildest expectations, and went on to inspire others.
***
 
I would like to thank everybody and anybody who loved me, loved my work, believed in it and supported it. Once again I would like to thank everybody who had a hand in creating this present, exceptional volume of All Tomorrows – rich with additional sketchbook pages and never-seen-before content.
 
As the saying goes, 'I must've done something right!' I hope this book keeps you good company and adds a sense of mystery, wonder and optimism to your life for years to come…'
 
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All Tomorrows

Singing Up the Sun is an illustrated celebration of folk music focusing on the strange and magical stories behind over seventy traditional folk songs from the British Isles.
 
Folk songs dating back as far as early medieval times and from far flung regional communities passed on from generation to generation, ever shifting and evolving along the way. Folk songs about the most human of experiences; love and loves lost, unrequited or doomed. Folk songs about labour and working the land, the songs of the common people. The leaders, the inspirers, the talismanic and conversely the corrupt, the thieves, the bastards… Folk songs that tell the passing of the year – the rituals and customs – about a land rich in folkloric celebrations and Pagan festivities. Boozy sea shanties about salty sea dogs telling tall tales into their tankards of ale. Magical songs of twisted animal metamorphosis, monstrous livestock, ominous birds portents of ill-fate, cunning trickster foxes and cursed sea creatures luring and smiting. Folk songs about Gods, devils, the earth and the stars and everything in between. And of course death. Oh death... 
 
The book started life as a social media prompt #folksongfebruary by Mat Pringle an illustrator, linocut printmaker and self-confessed record obsessive. Combining his love of folklore and music he came up with the idea to create a linocut print every day throughout the month of February inspired by a traditional folk song. With the help of a Morris Dancing team, a tattooist and a folklore obsessed designer* a list of twenty-nine songs was compiled. The list was shared on social media and quickly took on a life of its own, encouraging creatives to make something inspired by the rich storytelling in the songs, whether it was by way of a drawing, a dance, an animation or in Mat’s case a linocut print. Along the way the songs were researched, numerous variations of each were listened to and devoured and the seed of this book was sown. By interpreting the songs through the medium of linocut – and encouraging others to be inspired by them in their own creative endeavours – these wonderful folk songs and stories are passed on again and again. 
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"Folk music has to live and breathe… this stuff is alive, we must claim it, use it…
That’s what folk music is: the intuitive nature of the whole thing among people who love messing about with stuff and coming up with something else to keep the continuity going; people who aren’t intimidated by how venerable it is. A song cannot survive if it is not being played – it is either played or it perishes". Martin Carthy
 
Guest writers, singers and performers from the folk music world and beyond will be invited to share their experiences of their favourite songs in the book each accompanied by a linocut illustration. In addition each song will feature a recommended version from the likes of The Watersons, Shirley Collins and Fairport Convention to more contemporary folk artists like Lankum, Richard Dawson and the Goblin Band.
 
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Songs include (TBC) 'Country Life', 'Spencer the Rover', 'The Great Silkie of Sule Skerry', 'Hares on the Mountain', 'Reynardine', 'Tam Lin', 'The Shoals of Herring', 'Molly Bawn', 'The Mermaid', 'Bonny May', 'Little Musgrave', 'John Barleycorn', 'Hunting the Wren', 'John Ball', 'False Knight on the Road', 'Dust to Dust', 'Lyke-Wake Dirge' and lots more. 
*Johnny Greenteeth – go support his book <a href="https://unbound.com/books/folk-year-an-almanac-of-seasonal-folklore">Folk Year: An Almanac of Seasonal Folklore</a>
 
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Singing up the Sun

On 22 October 2023, at five in the morning, an Israeli bomb fell on Ahmed Alnaouq’s father’s house in Deir al-Balah in central Gaza and wiped out twenty-one members of his immediate family.
Ten years earlier, a similar attack had killed his brother and inspired him to found We Are Not Numbers (WANN), a youth-led non-profit project which enables young Palestinians to tell their own stories. Its mission was to create a new generation of Palestinian writers and thinkers, committed to peace and human rights, whose stories would resonate around the world.
Life &amp; Death in Gaza is a part of that project. Facing the unthinkable, Ahmed decided to talk to other Gazans who had lost their families in similar circumstances. Those conversations form the basis of this book. They proved to be profound and life-changing. Because, in spite of the grief and the horror, life in Gaza continues.
Gazans have rich, deep traditions that have survived generations of wars and intifadas. Amid the suffering, there is still joy. As families mourn their losses, there are still weddings and birthdays. The blockade has forced Gazans into poverty, but they share what they have with their community. The territory has one of the Middle East’s highest literacy levels yet the children of Gaza experience constant trauma. These contradictions are part of Gazans’ everyday life. 
This book is both a celebration of that life and an act of defiance. It brings together people who have faced the worst but who refuse to be seen as victims. The dead will not be forgotten; their lives are preserved in these stories. Life &amp; Death in Gaza is filled with the hope that the more we understand about life in Gaza, the less likely we are to let it be destroyed.
All profits from the book will be donated to We Are Not Numbers.  <a href="http://www.wearenotnumbers.org/" target="_blank" rel="noopener">www.wearenotnumbers.org</a>

Life & Death in Gaza: Stories of Hope & Resilience

Dissenters: Britain’s Lost Faiths and Forgotten Radicals

In 2017, Scottish artist and writer, Kirsten Norrie meets Ernie LaPointe, great-grandson of Sitting Bull, the political and spiritual leader of the Lakota. Eagle Song: A Spirit Road Trip is inspired by this reunion; a spirit road trip that traces cultural intersections between their ancestral heritages.
Relationships to land, language, and family are something Native American tribal societies and Scottish Highland clans have in common. While both communities were considered comparably ‘savage’, Norrie sifts through prejudice and coincidences to uncover a shared history of seeing stones and eagle feathers, ghost shirts and ghost plaids, clan and tribe visionaries and lunar cattle rustling.
Accompanied by guides from literature, ethnography and image-making, Eagle Song: A Spirit Road Trip is a unique tapestry of interwoven lineage. This is a story of the visionary practices of peoples seemingly miles apart. It’s a book about home too, and ideas of roots, as Norrie’s travels set her on a quest to thin places and the spaces we inhabit in between.

Eagle Song

A behind-the-scenes pass to one of the most beloved sci-fi comedies of all time. 
Don’t panic! After all, this book offers an unprecedented look into the creation of the iconic 1981 Hitchhiker’s Guide to the Galaxy BBC television series that brought Douglas Adams' extraordinary vision to the small screen.
Following the success of the number one bestseller 42: The Wildly Improbable Ideas of Douglas Adams, this companion volume unveils Adams’ complete, never-before-published scripts of the Hitchhiker's TV series, meticulously annotated with exclusive production notes, on-set photographs, anecdotes and ephemera. Discover the intricate details of the show's development, from its innovative special effects to its most memorable performances.
Featuring exclusive interviews with Douglas Adams, the producer/director Alan J. W. Bell and the original cast and crew members, including Simon Jones, David Dixon, Mark Wing-Davey, Sandra Dickinson and Stephen Moore. Compiled by Kevin Jon Davies, a veteran of the Hitchhiker's universe who worked on the original series, this book is a treasure trove of insights and untold stories. Pop in your Babel Fish, mix yourself a Pan Galactic Gargle Blaster, sit back and enjoy.  
About Kevin Jon Davies
<span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; color: #0f1111; background: white;" data-mce-style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; color: #0f1111; background: white;">After the Hitchhiker’s Guide radio series aired in 1978, young art student Kevin Jon Davies sought out its little-known author Douglas Adams to record an early fanzine interview. He went on to direct The Making of Hitchhiker, the 1993 documentary for BBC Video, and Adams invited him to art-direct The Illustrated Hitchhiker, a large-format book with pioneering digital composites. Since then he has contributed to a number of Adams-related projects, including The Hexagonal Phase (2018), the final radio series of The Hitchhiker’s Guide to the Galaxy.
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I Never Could Get the Hang of Thursdays

Have you ever wondered about all the people who lived in your house before you?
25 Library Terrace in Edinburgh is a house where lives are changed.
In 1911, new resident Ursula Black embraces women’s suffrage in the form of census protest, discovers vegetarianism, and learns just how difficult it can be to bring up someone else’s children.
In 1931, the house becomes part of a radical experiment in a different way of living, and a family secret from the past is uncovered.
In 2011, Tess Dutton needs somewhere to live in the wake of a failed relationship and is introduced to a rather unusual landlady.
In 2022, delayed by the pandemic, it’s another census year for Scotland, and as Edinburgh’s residents are able to gather once more, the strands of four generations at 25 Library Terrace are finally woven together.
25 Library Terrace is a deeply satisfying novel about strong and determined women who grasp their own destiny and help other women to grasp theirs. At its centre stands the house, a reminder that however our lives change over the years, the things that matter – love, kindness, stories and good recipes – stay the same.
Please note our reward levels include early proof copies and the chance to have tea with Natalie Fergie or get her to virtually join your bookclub.

25 Library Terrace

Folk Year is an illustrated almanac of the weird folklore and mythology of Britain and Ireland told through the turning seasons of the Celtic Year. 
There was a time in our not-so-distant past when a good harvest could mean the difference between life and death, when a cold winter could be deadly, and when the arrival of spring meant more than wearing a light jacket. These were times of ritual and sacrifice, of appeasing the powerful and mysterious forces beyond to ensure your survival.
Ritual dance, animal sacrifice, old Gods and magical spirits. Our pagan roots are not so deeply buried if you look closely. 
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This book is the culmination of author-illustrator Johnny Greenteeth's lifelong fascination with mythology and folklore. Featuring a collection of over 100 vibrant illustrations, Folk Year provides an absorbing exploration of the seasonal folklore of these strange islands. From Celtic festivals to Gaelic Gods, from Anglo-Saxon plant-lore to Cornish pixies – there's magic to be found in the soil, in the sun, in the swaying leaves of the trees… 
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Folk Year: An Almanac of Seasonal Folklore

New Titles

WINNER OF THE CREATIVE FUTURE WRITERS AWARD
'What a joyful tale. A Blackburn Bollywood Billy Elliot' Patrick Grant
Joyful, defiant and dazzling, this is the story of Rafi Aziz – a Northern boy dreaming of his name up in lights.
It's 1981 in the suburbs of Blackburn and, as Rafi’s mother reminds him daily, the family moved here from Pakistan to give him the best opportunities. But Rafi longs to follow his own path. Flamboyant, dramatic and musically gifted, he wants to be a Bollywood star.
Twenty years later, Rafi is flying home from Australia for his best friend’s wedding. He has everything he ever wanted: starring roles in musical theatre, the perfect boyfriend and freedom from expectation. But returning to Blackburn is the ultimate test: can he show his true self to his community?
Navigating family and identity from boyhood to adulthood, as well as the changing eras of ABBA, skinheads and urbanisation, Rafi must follow his heart to achieve his dreams.
Everyone's talking about Northern Boy . . .
'I was totally swept away by it' @little_wolfsbks
'I couldn’t put it down' @what_deb_read_next
'Genuinely uplifting and funny' @thequickandthe4
'Filled my heart full of joy!' @booksbybindu

Northern Boy

Paris, 1940. The course of Fatiha Bin-Khalid’s life is changed forever when she befriends the Muslim feminist Doria Shafik. But after returning to Egypt and dedicating years to the fight for women’s rights, she struggles to reconcile her political ideals with the realities of motherhood.  
 
Cairo, 1966. After being publicly shamed when her relationship with a bisexual boyfriend is revealed, Fatiha’s daughter is faced with an impossible decision. Should Yasminah accept a life she didn’t choose, or will she leave her home and country in pursuit of independence? 
 
Bristol, 2011. British-born Nadia is battling with an identity crisis and a severe case of herpes. Feeling unfulfilled (and after a particularly disastrous one-night stand), she moves in with her old-fashioned Aunt Yasminah and realises that she must discover her purpose in the modern world before it’s too late.
 
Following the lives of three women from the Bin-Khalid family, Daughters of the Nile is a bold debut novel that examines the enduring strength of female bonds. These women are no strangers to adversity, but they must learn from the past and relearn shame and shamelessness to radically change their futures.
 
'Hilarious and heartwarming, a triumph! A glorious celebration of women'Sadia Azmat, comedian and author of Sex Bomb
 
‘Original, compelling, witty and historically illuminating ... Essential reading’ Helen Lederer, founder of Comedy Women in Print
 
Everyone's talking about Daughters of the Nile...
‘A writer to watch’ @ElementaryMyDear_ ‘Mesmerising’ @alicetheunique ‘Not to be missed’ @Silvia_reviews ‘A true gem’ @stratospherekawaiigirl

Daughters of the Nile

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Yeseni and the Daughter of Peace

Last Dance at the Discotheque for Deviants

<div data-mce-fragment="1">Aspiring quantum physicist Sumi is newly married and has moved into her husband’s family home. Here she observes that the beguilingly tranquil middle-class town of Shantinagar is not very different from her beloved quantum world, with happenings in one house being cryptically entangled with things next door, objects mysteriously disappearing then reappearing again, and unexpected interactions revealing surprising truths. Indeed, right is not always right, wrong is rarely wrong and the truth, like the electron, can be both black and white, the shape it takes depending on how we see it. But when her household finds itself in dire straits, Sumi must blend logic with love to make sense of her new circumstances.</div>
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 The Lights of Shantinagar is a warm and lively portrait of family life set in modern India where new philosophies are replacing old traditions, the younger generation are breaking all the rules and one woman’s astute observations can change everything.</div>
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The Lights of Shantinagar

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Two strangers meet in Manhattan and spend a perfect night together. In Tokyo, they have seven days to see if that one night might mean something more.
 
Landon’s living alone in Tokyo as a British ‘expat’, Louie’s visiting while he anxiously waits for approval on his US visa. Against the backdrop of a misty Tokyo Spring, their precious time together is spent wandering into side streets and coffee shops, sharing unmade beds and plates of food. But as the days tick by, Louie’s expectations start to overtake reality and he falls too deeply for a life that’s not yet his.
 
Breathtakingly tender, Seven Days in Tokyo is an astonishing debut about the intricacies of desire and a search for belonging. It is a lyrical, immersive portrait of how some things, however beautiful and profound, are destined to be as short-lived as the cherry blossoms.
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Seven Days in Tokyo

Unbound Firsts

The Secret Life of LEGO® Bricks: The Inside Story of a Design Icon

A 336 page sewn hardback with over 400 full colour illustrations. Printed on 128gsm FSC certified matt art paper, with printed endpapers and bright red head and tail bands.

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Burning Down the House

Here

All Tomorrows

Singing up the Sun

Life & Death in Gaza: Stories of Hope & Resilience

Dissenters: Britain’s Lost Faiths and Forgotten Radicals

Eagle Song

I Never Could Get the Hang of Thursdays

25 Library Terrace

Folk Year: An Almanac of Seasonal Folklore

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