Have you ever wondered about all the people who lived in your house before you?
25 Library Terrace in Edinburgh is a house where lives are changed.
In 1911, new resident Ursula Black embraces women’s suffrage in the form of census protest, discovers vegetarianism, and learns just how difficult it can be to bring up someone else’s children.
In 1931, the house becomes part of a radical experiment in a different way of living, and a family secret from the past is uncovered.
In 2011, Tess Dutton needs somewhere to live in the wake of a failed relationship and is introduced to a rather unusual landlady.
In 2022, delayed by the pandemic, it’s another census year for Scotland, and as Edinburgh’s residents are able to gather once more, the strands of four generations at 25 Library Terrace are finally woven together.
25 Library Terrace is a deeply satisfying novel about strong and determined women who grasp their own destiny and help other women to grasp theirs. At its centre stands the house, a reminder that however our lives change over the years, the things that matter – love, kindness, stories and good recipes – stay the same.
Please note there are 9 reward levels (including early proof copies and the chance to have tea with Natalie or get her to virtually join your bookclub). Slide the blue button under the Support This Project box to the right to reveal all reward levels.
Chapter 3
March 1908
The yell could be heard from the street outside the house.
John Black stopped stroking his moustache and looked up from the papers he was consulting. He screwed up his eyes, trying to see past the piles of masonry and lead pipes lying in what would eventually be his front garden. The yell had become a scream of pain and it was heading in his direction.
A man covered in pale dust appeared at the rectangular opening where the front door would soon hang. Under his well-muscled arm was a bundle of flailing arms and legs. He headed towards a standpipe in the street where he turned the iron tap on and let water flow out across the not-yet cobbled ground. Despite the noisy protests, he knelt down and pushed the young lad’s head under the gush.
‘Keep still! The water has to get into your eye.’ The screaming stopped as the boy spluttered and coughed. Every so often there was a gasp and a shout, but the man was determined to keep the lad’s head under the flow of water. A second boy appeared.
‘Get a pail!’ the man shouted. ‘And make sure it’s empty.’
The boy vanished back inside the house and returned quickly with a heavy galvanised bucket, bashed about the rim.
The injured lad was silent now. He had been set back onto his feet and stood shivering, his chest and head soaking wet, and water dribbling down onto his shirt. The man rinsed the grey bucket out three times and then filled it with fresh water.
‘Sit there’, he instructed, and the lad sat down obediently on a stack of planks. Beside him was a heap of long larch poles and coiled ropes; last week these had been the scaffolding for the house. The man lifted the bucket and put it down next to the boy. ‘You need to take handfuls of water, like this,’ he demonstrated, ‘and then hold your hand against your eye and tip your head back.’
The boy nodded.
‘I want you to use the whole pail of water. And when you’ve done that there will be another pail. Over and over again. Have you got that? Do you understand?’ There were more nods.
All this activity unfurled in front of John Black, who was standing on a rutted path that would soon be the pavement. He unbuttoned his overcoat. ‘Here,’ he said, stepping forward, ‘the boy is freezing cold. Put this around him.’
The plasterer looked up, taking in the smart hat and formal suit. ‘That’s kind of you, sir, but your coat will be ruined.’
‘This is going to be my house, and I think a few marks on a coat is a small price to pay for looking after one of the young men who is building it for me.’ He held the heavy wool coat out, its satin lining catching the winter light. ‘Please, take it.’
The plasterer nodded. ‘Thank you. He’s chilled, that’s for sure.’
‘And his face? What happened?’
‘A dod of lime plaster in his eye. It’s caustic. It will have burned.’
‘In his eye? My God.’
‘I expect he’ll be fine after a few days. We got it rinsed out very quickly. You really can’t delay with this kind of thing.’
‘What age is he? He looks so young.’ John frowned. ‘Is it safe for him to be here?’
‘It’s Saturday so he isn’t at school. He is thirteen,’ the man lied. ‘I pay him, and he takes the wage home to his mother. She’s a widow. It all helps a little.’
John nodded, but was unconvinced. ‘Very well. I’ll leave you to get on. I need to get home now. It’s been rather a day.’
The man hesitated, unsure how to respond.
John crossed his red woollen scarf across his chest and tucked the ends under his arms. He buttoned up his suit jacket. ‘I had thought that this house would be where my wife and I would bring up our family, but according to the doctor we saw this morning, she is quite unwell, and now I am uncertain about almost everything.’ It was somehow easier to tell a complete stranger about his circumstances than it would have been to disclose them to a friend on the golf course.
‘I hope the news is not as bad as you fear, sir.’ The plasterer held out his hand, and John grasped it, feeling the man’s calloused skin against his own office-smooth fingers.
‘Thank you.’ He judged the plasterer to be a similar build to himself. ‘Please just keep the coat. It may be useful to the lad, or to someone else.’
He looked back at the house, noticing for the first time that someone had chalked a 2 and a 5 in large numbers on the stone lintel above the door, and then he turned and picked his way back along the uneven road surface of Library Terrace, rubbing his hands together in the brisk air because his leather gloves were in the pockets of the coat that was no longer his, and it would have been churlish to go back and ask for them.
Finlay and Ann would be waiting for him at home. He had no idea how he was going to tell them the news about their mother.
25 Library Terrace
Natalie Fergie
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Have you ever wondered about all the people who lived in your house before you?
25 Library Terrace in Edinburgh is a house where lives are changed.
In 1911, new resident Ursula Black embraces women’s suffrage in the form of census protest, discovers vegetarianism, and learns just how difficult it can be to bring up someone else’s children.
In 1931, the house becomes part of a radical experiment in a different way of living, and a family secret from the past is uncovered.
In 2011, Tess Dutton needs somewhere to live in the wake of a failed relationship and is introduced to a rather unusual landlady.
In 2022, delayed by the pandemic, it’s another census year for Scotland, and as Edinburgh’s residents are able to gather once more, the strands of four generations at 25 Library Terrace are finally woven together.
25 Library Terrace is a deeply satisfying novel about strong and determined women who grasp their own destiny and help other women to grasp theirs. At its centre stands the house, a reminder that however our lives change over the years, the things that matter – love, kindness, stories and good recipes – stay the same.
Please note there are 9 reward levels (including early proof copies and the chance to have tea with Natalie or get her to virtually join your bookclub). Slide the blue button under the Support This Project box to the right to reveal all reward levels.
Chapter 3
March 1908
The yell could be heard from the street outside the house.
John Black stopped stroking his moustache and looked up from the papers he was consulting. He screwed up his eyes, trying to see past the piles of masonry and lead pipes lying in what would eventually be his front garden. The yell had become a scream of pain and it was heading in his direction.
A man covered in pale dust appeared at the rectangular opening where the front door would soon hang. Under his well-muscled arm was a bundle of flailing arms and legs. He headed towards a standpipe in the street where he turned the iron tap on and let water flow out across the not-yet cobbled ground. Despite the noisy protests, he knelt down and pushed the young lad’s head under the gush.
‘Keep still! The water has to get into your eye.’ The screaming stopped as the boy spluttered and coughed. Every so often there was a gasp and a shout, but the man was determined to keep the lad’s head under the flow of water. A second boy appeared.
‘Get a pail!’ the man shouted. ‘And make sure it’s empty.’
The boy vanished back inside the house and returned quickly with a heavy galvanised bucket, bashed about the rim.
The injured lad was silent now. He had been set back onto his feet and stood shivering, his chest and head soaking wet, and water dribbling down onto his shirt. The man rinsed the grey bucket out three times and then filled it with fresh water.
‘Sit there’, he instructed, and the lad sat down obediently on a stack of planks. Beside him was a heap of long larch poles and coiled ropes; last week these had been the scaffolding for the house. The man lifted the bucket and put it down next to the boy. ‘You need to take handfuls of water, like this,’ he demonstrated, ‘and then hold your hand against your eye and tip your head back.’
The boy nodded.
‘I want you to use the whole pail of water. And when you’ve done that there will be another pail. Over and over again. Have you got that? Do you understand?’ There were more nods.
All this activity unfurled in front of John Black, who was standing on a rutted path that would soon be the pavement. He unbuttoned his overcoat. ‘Here,’ he said, stepping forward, ‘the boy is freezing cold. Put this around him.’
The plasterer looked up, taking in the smart hat and formal suit. ‘That’s kind of you, sir, but your coat will be ruined.’
‘This is going to be my house, and I think a few marks on a coat is a small price to pay for looking after one of the young men who is building it for me.’ He held the heavy wool coat out, its satin lining catching the winter light. ‘Please, take it.’
The plasterer nodded. ‘Thank you. He’s chilled, that’s for sure.’
‘And his face? What happened?’
‘A dod of lime plaster in his eye. It’s caustic. It will have burned.’
‘In his eye? My God.’
‘I expect he’ll be fine after a few days. We got it rinsed out very quickly. You really can’t delay with this kind of thing.’
‘What age is he? He looks so young.’ John frowned. ‘Is it safe for him to be here?’
‘It’s Saturday so he isn’t at school. He is thirteen,’ the man lied. ‘I pay him, and he takes the wage home to his mother. She’s a widow. It all helps a little.’
John nodded, but was unconvinced. ‘Very well. I’ll leave you to get on. I need to get home now. It’s been rather a day.’
The man hesitated, unsure how to respond.
John crossed his red woollen scarf across his chest and tucked the ends under his arms. He buttoned up his suit jacket. ‘I had thought that this house would be where my wife and I would bring up our family, but according to the doctor we saw this morning, she is quite unwell, and now I am uncertain about almost everything.’ It was somehow easier to tell a complete stranger about his circumstances than it would have been to disclose them to a friend on the golf course.
‘I hope the news is not as bad as you fear, sir.’ The plasterer held out his hand, and John grasped it, feeling the man’s calloused skin against his own office-smooth fingers.
‘Thank you.’ He judged the plasterer to be a similar build to himself. ‘Please just keep the coat. It may be useful to the lad, or to someone else.’
He looked back at the house, noticing for the first time that someone had chalked a 2 and a 5 in large numbers on the stone lintel above the door, and then he turned and picked his way back along the uneven road surface of Library Terrace, rubbing his hands together in the brisk air because his leather gloves were in the pockets of the coat that was no longer his, and it would have been churlish to go back and ask for them.
Finlay and Ann would be waiting for him at home. He had no idea how he was going to tell them the news about their mother.
25 Library Terrace tells the stories of those living in a single Edinburgh house through times of great societal change. I think we are all curious about the people who lived in our homes before us: this novel imagines the answers to those questions.
