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Chronicles of Narnia: TV adaptation of 'The Lion, The Witch and the Wardrobe', 1968 (Photo by Popperfoto/Getty Images)

Louise Doughty: ‘Our literary culture has to do a lot better’

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Shelfie | 5 minute read
In the latest of our Shelfie Series Q&A, the bestselling author talks about diversity on her bookshelves, buying her first children's story and why she never lends books

Arifa Akbar: Can you remember the first book you bought?

Louise Doughty: Yes, very much so.  I had been an avid library goer the whole of my childhood but I remember saving up my pocket money pennies to buy the whole series of Narnia books by C. S. Lewis. We didn’t have a proper bookshop in the small town where I grew up but the local newsagent had one wall of books. Going in and handing over my money from my little clip-top purse for a book that would then be mine to keep – that felt like a really significant moment. Later, a good second-hand bookshop opened up and I was in there all the time, browsing. I was given a book token as a school prize and went in, and after about three hours of trawling the shelves, bought The Collected Works of Isaac Rosenberg, a beautiful hardback that included prints of his oil paintings as well as his poetry. It became a prized possession.

AA: How big is your library now?

LD: Too big! Maybe it’s a consequence of that early excitement of owning books but I’ve collected far too many over the years. Recently, I’ve tried to cull but it’s like pulling my own teeth out with pliers. I do have a kindle as well and try to buy e-books rather than a hard copy when I just want to check something. It ain’t the same though.

AA: How do you arrange your books?

LD: I have one wall of fiction and one wall of non-fiction. The fiction is in alphabetical order by author. The non-fiction is organised according to subject matter. There are also smaller shelves of poetry and drama and they are just higgledy-piggledy. Oh and short story anthologies and literary criticism are separate too.

AA: Favourite reading spot in your house?

LD: I don’t really have one. I like reading in bed at night but am usually too tired to do it for long. As I have a family, I tend to associate the sofa with the television at the moment. There’s an easy chair in the kitchen that is probably my favourite spot, although I face stiff competition for that from two cats.

AA: How diverse is your bookshelf?

LD: Not as diverse as it should be. I’m making a concerted effort to read more fiction in translation – my most recent was Ghachar Ghochar by Vivek Shanbhag, which was one of my ‘books of the year’ last year. Writing from India is a lot more than Rushdie: Amitav Ghosh, Aravind Adiga and Chetan Bhagat all give quite variant views of India, and the new wave of Pakistani writers, such as Kamila Shamsie and Mohammad Hanif, is very exciting. Hanif’s first novel, A Case of Exploding Mangoes, is terrific. When I was researching my latest book, Black Water, I tried to educate myself about Indonesian writing: Leila S Chudori, Eka Kurniawan, Laksmi Pamuntjak – and the grandaddy of them, Pramoedya Ananta Toer. But the more you read, the more ignorant you feel, often. In terms of home-grown diversity, our literary culture has to do a lot better. Yes we have Zadie Smith, Andrea Levy, but what we seem to have lacked historically is real encouragement for new writers from diverse backgrounds up the treacherous snakes and ladders game of literary reputation.

I’ve recently started a crowdfunding campaign for a scholarship for BAME writers to attend the MA in Creative Writing at the University of East Anglia. It was a course I did myself in the 1980s and it was transformative in terms of giving me practical experience of being a working writer within a group of writers and access to a kind of contemporary literary culture I had never experienced before. We’re nearly fully funded for three complete scholarships, fees and living expenses, and most of the money has come from other writers who share my concern. I’m very excited.

AA: Do you have a regular purge?

LD: I had a big purge last year when the new shelves went up. I keep promising myself that from now on it’s one in one out – but so far it’s not working out quite like that…

AA: Favourite bookshop, new or second-hand?

LD: In London I love Primrose Hill Books, Daunt on Marylebone High Street, West End Lane Books – and then Toppings in Ely which I visit whenever I go there. I also actually do like the giant Waterstones on Piccadilly – there is something very heartening about what used to be a whole department store now devoted to books. If you got locked in, there’s no danger you’d be bored.

AA: What’s on your ‘to-read’ pile?

LD: It’s vast! I’ve just been sent The Unwomanly Face of War by Svetlana Alexievich, which I really want to read, and fiction-wise I want to catch up with Station Eleven by Emily St John Mandel – but they are just the top books on two teetering piles. One life is not enough.

AA: To break the spine or keep it as immaculate as possible?

LD: Break the spine! Definitely. Books are there to be consumed. I would regard any of my books being ragged as a great review.

AA: Do you lend books?

LD: Very rarely. And I always regret it when I do. They are mine. I get quite possessive about them. People can go out and buy their own – they are incredibly cheap these days, after all.

Black Water by Louise Doughty is out now (Faber & Faber, £7.99)