The Continuous City
By Gareth Damian Martin
A unique collection of analogue photography exploring the virtual cities of video games.
Pin Badge and Signed Hardback
Postcards and Signed Hardback
Exclusive Print and Signed Hardback
Photography Session - Remote
Photography Session - In Person
Frequently Asked Questions
Where can I get my book delivered to?
How do supporter names work?
The Continuous City is a photographic journey through the most exciting, diverse and strange urban spaces of our time, those of video games. Structured as a travelogue through a rich tapestry of different virtual cities, it draws out aesthetic connections between game spaces across genre, style and setting.
But rather than simply catalogue these spaces, The Continuous City uses unique techniques to photograph them with a 35mm camera, blurring the line between the real and the virtual. The result is a collection of images that feel uncannily real but are rooted in a world of impossible architecture and unreal worlds.
From the obsessive reproduction of Los Angeles in Grand Theft Auto V to the fantasies of empire and industry in Dishonored's Dunwall, this book turns a dreamlike focus to these beautiful, bizarre and undeniably powerful virtual cities. The first book from Heterotopias, a digital magazine and site dedicated to architecture and games, The Continuous City is a rich journey into the impossible urban spaces of games.
About the Book
- A full colour hardback with head and tail bands
- Approximately 160 pages
- Large coffee table format - 254 x 287mm
- Contains over 200 photographs
"Heterotopias is animated by a sense of slow-burning anarchic experimentation that feels in short supply in the churn of constant media production."
"Both beautiful and illuminating."
-Harvey Smith, Arkane Studios
"The long-awaited body of work to bind architecture and video games."
-Nick Capozzoli, videogame critic
"Heterotopias is a smart and beautiful zine."
-Martin Robinson, Features Editor, Eurogamer
Heterotopias is a project focusing on the spaces and architecture of virtual worlds. Having released 3 issues last year to wide critical acclaim, it is now entering the next stage in its development. The Continuous City is at the centre of this, but alongside it the zine will launch 3 more issues this year. Containing original game photography, beautiful design and some of the best and most original writing about games and architecture available, Heterotopias represents a unique project that brings a new focus and approach to the virtual worlds that surround us in our daily lives.
Gareth Damian Martin
Gareth Damian Martin is a writer, game designer and artist. He is the editor and creator of the games and architecture zine Heterotopias as well as a Eurogamer columnist and respected games journalist. He was recently nominated for the prestigious New York Game Critics Circle Games Journalism Award and his writing has been described by Arkane Studio’s Harvey Smith as “both beautiful and illuminating.” As a game designer he led the winning team in 2017’s Dreamhack Jam, and his first commercial game, In Other Waters was recently funded on Kickstarter and is currently in development. His work as a game photographer has appeared on Kotaku and US Gamer, and he is also a History and Theory tutor at the Bartlett School of Architecture, where he teaches on the intersections of video games and urbanism.
“At times all I need is a brief glimpse, an opening in in the midst of an incongruous landscape, a glint of lights in the fog, the dialogue of two passers-by meeting in the crowd, and I think that setting out from there, I will put together, piece by piece, the perfect city, made of fragments mixed with the rest, of instants separated by intervals, of signals one sends out, not knowing who receives them.”
- Italo Calvino, Invisible Cities
The spaces of video games form one of the most complex, contradictory and strange bodies of architecture ever created. Countless worlds, some no bigger than a corridor, others many kilometres across, none of which we can truly enter. Each one seems at once useless and essential, a space that can contain no life, and yet which is derived directly from it. They may have started out as labyrinths and playgrounds, but the spaces of games can now be said to encompass characters, arguments, ideologies, narratives, ideas and experiments. Each one is a proposition, no matter how small or innocuous. They propose new spaces, new ways of using space, of seeing it and understanding it.
- 2nd July 2018 In Focus: Novigrad
This is the third in a set of updates that focus in on some of the iconic virtual cities that will feature in The Continuous City, and how they have been photographed to reveal them in a new light.
When I decided to include the city of Novigrad from CD Projekt Red's The Witcher 3: Wild Hunt I knew immediately which sections of the book the city would be split between. In The Continuous…26th June 2018 Workshop, Talk and Virtual Cities
I just wanted to do a quick update to let you know about of couple of things. Also, we'll have another In Focus update coming soon, focussing on a specific city, so keep a look out for that.
Firstly I wanted to bring your attention to Konstantinos Dimopoulos and Maria Kallikaki's book (also on Unbound) Virtual Cities.
Virtual Cities is a survey of some of the most notable…20th June 2018 In Focus: Jirga Para Lhao
This is the second in a set of updates that focus in on some of the iconic virtual cities that will feature in The Continuous City, and how they have been photographed to reveal them in a new light.
You may never have heard of Jirga Para Lhao—as the central city of Gravity Rush 2 it wears its name lightly, favouring an association with the wider series instead—and yet you might remember…5th June 2018 In Focus: Dunwall
This is the first in a set of updates that focus in on some of the iconic virtual cities that will feature in The Continuous City, and how they have been photographed to reveal them in a new light.
Dunwall is the first name that comes to my mind when I think of videogame cities. Not because it represents them as a whole, or is some kind of median point among these virtual urban spaces…
These people are helping to fund The Continuous City.
Mario Leo Nolasco