• Michelle Jana Chan
Published
Publication date: Summer 2018
115% funded
257 backers
Cover of Song

The story of a young boy who travels half-way around the world — from China to British Guiana — hoping to strike it rich

Set in the post-slavery years of the 19th-century, this is a story about a young boy, Song who travels from China to British Guiana to seek his fortune. He begins his new life as an indentured labourer on a sugar plantation, eventually finding success as a gold prospector. Yet not all his dreams are realised; he never succeeds in sharing his wealth with his family back in China, nor is he accepted into the ruling colonial class. He is between places, between peoples, and increasingly aware that his circumstances of birth carry more weight than his accomplishments or good deeds. He will forever live as an outsider.

In many ways, Song’s story is a contemporary one. He travels half-way around the world searching for a better life. We live today during the greatest movement of people made up of individuals such as Song. For many of these economic migrants, as it was for Song, they never find a place they can truly call home.

Through my father’s line I am descended from indentured Chinese immigrants who journeyed to British Guiana in the mid-1800s driven by the desire to improve their lot. My father grew up there but left in the 1960s — searching for a better life in England. I began my career writing for Newsweek magazine in New York before moving in the 1990s to China — where there seemed to be the most opportunities for a young journalist. My migration, inadvertently, brought my family story full circle.

Michelle Jana Chan is an award-winning journalist who began her career with Newsweek magazine in New York, Beijing and London, before moving into radio and then television as a news producer for CNN. She is now travel editor of Vanity Fair, Contributing Editor at Conde Nast Traveller and the BBC’s presenter of ‘Global Guide’. She writes regular columns for Conde Nast Traveller (Where I want to be right now) and for The Daily Telegraph (Action Packed), and is the Telegraph Travel’s Asia Expert. She also writes for the Wall Street Journal, the Financial Times, Travel & Leisure and Tatler.

In 2016, Michelle was the Travel Media Awards’ Travel Writer of the Year, the AITO Travel Writer of the Year and Latin American Travel Association’s Writer of the Year.

She is a Performance Coach accredited by ARVON/NAWE with a focus on performance in writing, and is teaching an travel writing course at Moniack Mhor, Scotland’s Creative Writing Centre.

Her writing has been included in three anthologies: travels along the Silk Road in Last Call for the Dining Car; the essay Identity in a Virtual World in the collection Mirror on America exploring US pop culture, and a work of fiction in 222 autobiographies of Robert Kaplan.

The crowd started to grow agitated. Song felt someone shove him from behind. There was pushing and shouting as they were hustled towards the carts. A family was being split. An elder brother was yelling. The Englishman was telling him to shut up but the brother was panicking. He pushed the Englishman away from his family. Three Englishmen moved in and one hit him with the butt of his shotgun. The brother slumped to the ground. Everyone fell silent climbing quickly on to the carts.

“Name?” A man was taking note of each passenger. He looked down at Song. “Name?”

“Song.”

“Forty-three,” the man said.

Song used the spokes of the wheel to climb into the back of the cart. They pulled away. The bumping of the wheels on the uneven road felt good after the swaying motion of the sea. Song hung on to the side studying the tall trees and spotting colourful squawking birds flying in pairs. He sniffed the dusty heat of the earth and the freshness of leaves. A man rode by in the other direction on a bicycle with a basket of okra and squash. There were odd ramshackle houses and children playing out front. Some pointed at the cart. Song and the others stared back unsmiling.

The roads widened and there were trees planted neatly on both sides of the street. The grand whitewashed homes resembled those Song had seen in Guangzhou with their large windows and wraparound porches. There were rattan lounge-chairs and knotted hammocks on either side of the front door with gardens of rolling green lawns and beds of red and pink flowers. Song saw a young man in sky-blue clothes trimming a bush with clippers and thought how he would like such work.
On the pavements women dressed in soft colours carrying parasols walked with men in pale suits wearing hats. They looked away as Song’s cart rolled past.

The tree-lined streets narrowed and houses bordering the road became more modest. Paint was peeling off the walls. The front-yards were filled with junk. Men slept in hammocks in the shade. An old woman rocked in a chair.

As the cart rolled on the sugar plantations came into view, just like Song had imagined. The cane fields spread out as far as he could see, rising and dipping like a swell, revealing huge stretches of cultivated land beyond. The sugar cane was tall and green and dense. It whispered with the same sound Zhu Wei had described. Song allowed himself a smile. It was as beautiful as he had hoped.

The cart stopped at a clearing beside the road where there were several wooden buildings. Song was taken to the one furthest away.

Inside there was a row of bed mats running along each wall with a number painted above. At the foot of the mats was a metal bowl. Song looked for his number 43 and lay his jacket down on the mat.

Read more...

Reviews!!

Thursday, 16 August 2018

Mailreview

What a wonderful wondrous month it has been. I still can't believe Song is out there and being read. Sounds obvious perhaps, but not from here -- in this vulnerable, post-publishing silent bubble. Song is in the hands of readers. Joy.  

I've put together quotes and links from reviews. 

Another update soon! Michelle 

"A strong picaresque element powers this saga." 

— The Daily Mail 

Song hits the bookshops

Friday, 29 June 2018

Song bookshelf1?1530230541

It's just past midnight and I can now say, in the past tense, that Song is published. But I still can't quite believe it. 

I was passing Heywood Hill today and poppped in -- just in case. And there was Song on the shop's bookshelf so I knew it was for real. I had a couple of photos sent to me during the day adding to the body of evidence. One from Imo Denny at Unbound -- thanks Imo! 



In…

Tomorrow!!

Wednesday, 27 June 2018

Songblogtour

Song is about to launch. Tomorrow!

Thank you so, so much for all your support getting me to this point. On the brink of.  

We are mid-way through the Blog Tour, which is a daily online review starting on Monday and continuing all week. Do follow the bloggers to read the reviews. And I'll be retweeting them all @michellejchan. 

Here are the first two

https://thepaperbackpiano.wordpress…

Michelle Jana Chan commented on this blog post.

A month to go before the official launch date

Monday, 4 June 2018

Songblogtour

Hello to all Song supporters!

Am heading to Unbound on Wednesday to sign books. It feels like it's a-happening now. Soon after, the publisher should be sending books out to all supporters. Silghtly earlier than they'll be appaearing in bookshops. 

Meanwhile I thought I'd send news of a few events, etc. 

This one in Gloucestershire on June 25th. 

http://www.calcot.co/event/michelle-jana-chan…

Song is in my arms!

Wednesday, 18 April 2018

Song in arms

Dear friends, 

The first advance copies of Song are out... and I have one in my arms. 

I'm surprised how good it feels. After numerous to-and-fro pdfs and attachments and loose-leaf manuscripts, I thought holding the book would be only mildly satisfying. LIke it is when I've edited a magazine. But it is nothing like that. I fell quiet. Smiled. Nodded. Held it close. Relief, perhaps, was the…

Michelle Jana Chan commented on this blog post.

100 days to go

Sunday, 25 March 2018

Song royalhb special final

Dear all, 

I have a publishing date! July 5th. Although Song should be in the bookshops perhaps a week earlier. And your advance copies should be in your hands about a month prior to that. 

Backstage, we're now trying to push the book. Hoping for reviews. Hoping for namechecks. Hoping for interest in the themes of the book -- the timeless tale of the economic migrant, and its strong thread of…

One year since Song became fully funded

Sunday, 28 January 2018

Song front

Dear all,

Happy New Year, if it's not too late at the end of January.

It's been a while since my last update because there's not been a whole lot going on. Corrections were being incorporated. Jacket art was finalised (see attached -- although the tagline will change). What do you think? I hope you like it. We're now plotting a marketing plan. Backers should receive their copy of Song in May…

A few days to go till the Supporters' List closes...

Tuesday, 21 November 2017

An exciting update... 

I hand-delivered the annotated proofs to Unbound last week. That's a print out of the manuscript -- not bound and in an A4 format, yet resembling how a page will look. It was covered in my scribbles making last-minute tweaks and corrections. Imogen Denny, my wonderfully rigorous and perceptive Unbound editor, assures that she can read my handwriting, which I find extraordinary…

PUBLISHING DATE, and more

Friday, 29 September 2017

To all my backers,

Do hope everybody's had a great summer...

It's been a busy head-down few months trying to get Song into good shape. The manuscript has been edited (rewrites/reworks) by the incredible Liz Garner; copyedited (to make it bang-on accurate) by the astute Miranda Ward, and now I'm looking at dust jacket designs (presently verdant, lush imagery). It feels almost tangible now.

WHERE I WANT TO BE RIGHT NOW

Thursday, 23 February 2017

Kaieteur

Dear all,

I write a weekly column for Conde Nast Traveller and this week is about the rainforest of Guyana -- the setting for  much of the novel. 

More here http://www.cntraveller.com/recommended/culture/where-to-go-right-now

Also, I wanted to update everyone on Song's progress. As you might know, the book is already written but happily I have a few sessions with an excellent editor... and…

The next chapter

Saturday, 28 January 2017

Guyanafilm

Song is fully funded. Pinch me. I can't quite believe it. Thank you to everyone for getting me to this point. I confess I'm as nervous as I am excited. 

The view from here 

This image is from a few years back when I was making a short film for the BBC on Guyana. I climbed to the top of a hill to capture the view above the rainforest canopy in Iwokrama. When I think back to that trip, I start…

Into the 80s

Monday, 23 January 2017

Img 1227

80 percent! Thank you so much to everyone for their support. Unbound tell me that Song is their best performing book of fiction in terms of pace of pledging.

What a rollercoaster weekend it has been. Friday was unthinkable. Saturday, some solace. 

It's Monday here (on the banks of the Ganges, in the foothills of the Himalayas) so I'll be refreshing my weekly column. This past week it was…

Happy 2017

Monday, 9 January 2017

Column antarctica

Happy New Year!

It's a month since Unbound launched Song and today we reached 60 percent of the target. Thank you to everyone for helping us reach this milestone. 

My last column for Conde Nast Traveller -- 'Where I want to be right now' -- was one of reflection, wondering about what went right last year, what went wrong. And musing on plans, hopes and dreams. For me, so much of 2017 is about…

Almost half-way

Thursday, 22 December 2016

Songcnt

A big thank you to everybody who's pledged. It's not yet two weeks and we're nearly half-way there. THANK YOU. 

I've had some press to help me on my way (thank you, Conde Nast Traveller).

And I'd be grateful if any of you might be willing to share the link: http://www.cntraveller.com/recommended/video/song-michelle-jana-chan

In case you might want to read some of my writing over the holidays…

These people are helping to fund Song.

Avatar
Claire Delattre
Avatar
JT Speelman
Avatar
Maggie Gee
Avatar
anne gebuhrer
Avatar
Jason Brandt Harris
Avatar
Caitlin Harvey
Avatar
michele kajiwara
Avatar
Eszter Karvazy
Avatar
An anonymous donor
Avatar
Michael Lee
Avatar
James Guyton
Avatar
Rachel Darby
Avatar
Simon Ponsford
Avatar
Isabelle Santoire
Avatar
George klat
Avatar
Barbara Healy Smith
Avatar
Richard Soundy
Avatar
Kate Stancliffe
Avatar
Hugo Perks
Avatar
broadbean broadbean
Avatar
Sue Ockwell
Avatar
Annabel Falcon
Avatar
Saleem Kassum
Avatar
Darren Allen
Avatar
Maria Machera
Avatar
Evelina Conti
Avatar
David Royle
Avatar
Annah & McGregor Smyth
Avatar
Jules Ugo
Avatar
Greg Barbour
Avatar
Finbarr Brogan
Avatar
Vicki Reeve
Avatar
Josephine Chen
Avatar
Dean Irvine
Avatar
Nathalie Heidsieck
Avatar
Michael Kerr
Avatar
caroline rowland
Avatar
AD Flint
Avatar
Joyce Emons
Avatar
Lysbeth Fox
Avatar
Emma Semple
Avatar
Susan Holmes-Siedle
Avatar
Jo Vickers
Avatar
Torbjorn Dimblad
Avatar
Elizabeth Davies
Avatar
Julian Ellis
Avatar
simon miller
Avatar
Alexandra Warr
Avatar
Amy Royce
Avatar
Adriaane Pielou
Avatar
Jonathan Kirkwood
Avatar
Steven Conybeare
Avatar
Henry Stevens
Avatar
William Underhill
Avatar
Dominic de Vere
Avatar
Henrietta Loyd
Avatar
Stella Reeves
Avatar
Gary Martin
Avatar
Jane Black
Avatar
Tom Silk
View all supporters
Richard Price
Richard Price asked:

As Book Review Editor of New West Indian Guide, how do I request a review copy so we can publish a review for our several thousan readers?

Michelle Jana Chan
Michelle Jana Chan replied:

Hi Richard, lovely to hear from you. Charlotte, my publicist, at charlotte@unbound.co.uk can provide a review copy. Or do let me know your email address if you'd like me to put you in touch.
Thanks so much for your interest. Michelle

Join in the conversation

Sign in to ask a question