Four Fitts or Nine Parts? Issues of layout in Sir Gawain and the Green Knight
Sunday, 4 March 2018
In all the many translations there have been of Sir Gawain and the Green Knight, it has long been accepted that the work breaks down into four fitts, or parts. Does this still hold true today?
Recent analysis has attempted to change this way of thinking by examining the role played in the original manuscript by the series of illuminated letters which occur within it; indicating that the work may originally have been divided into nine distinct sections.
A reading of the original manuscript is informative. It is observed that the poem does not notably separate into sections at all. Rather, it is one long stream of text broken only by the quatrains of the poetic "wheel" at the end of each stanza and occasionally by an illuminated letter.
The role of Sir Frederic Madden
The poem was first structured into its commonly accepted form by Sir Frederic Madden in the 19th Century in his Syr Gawayne, a form followed and adopted ever since by translators as varied as Richard Morris, JRR Tolkien, Israel Gollancz, Simon Armitage and now by myself.
To follow this arrangement is acceptable, logical, and convenient. It is true that there are indeed nine illuminated letters which break up the text but it is also true that four of them are bigger than the others. These four letter are those found at the beginning of each of the four of Madden's fitts (linocut versions of which I have recreated for my own translation of the poem).
Four fitt structure
The four fitts are distinct from each other. Fitt 1 introduces us to the story, describes Christmas at Camelot and then opens the "Adventure" with the arrival, challenge and beheading of the Green Knight. Fitt 2 follows Gawain on his journey to Hautdesert, shares his trials in the snow before his arrival at the castle and then introduces us into the bosom of Bertilak's family (including, notably, the Lady and the aged aunt).
Fitt 3 is the highlight of the poem, contrasting three hunting scenes (deer, boar, fox) with the Lady's own erotic chase after Gawain in the sanctuary of his own bedroom. Fitt 4 then describes Gawain's meeting with the Green Knight at the Green Chapel, the attempt by the guide to dissuade him from going there, and the Green Knight's ultimate punishment for Gawain's waywardness.
Nine fitt structure?
So do the minor illuminated letters add to this structure; indeed, do they deny it altogether? The structure appears to be:
- Major S: Initial letter; grandly styled to introduce the poem at Fitt 1
- Major T: Begins the notional Fitt 2 with the opening of the year and the opening of the adventure desired by King Arthur
- Minor T: Includes the image of a young man's face; denotes the section where we are introduced to the purity of Gawain's pentangle, the "Endless Knot"
- Minor N: Gawain's travelling anguish is over with the appearance of the castle
- Major F: Begins the notional Fitt 3 at the castle and the deer hunt
- Minor S: The boar hunt
- Minor N: The killing of the fox
- Major N: Begins the notional Fitt 4 with Gawain leaving the safety of the castle to face his nemesis
- Minor T: The beginning of the execution punishment. The image also includes an uglier face; possibly that of Morgan le Fay
The logic of this cannot be denied; each of these sections denotes a distinct period in the poem, many of which carry their own themes, often religious (linking in with other works in the Cotton Nero A.x mss). Yet we are still compelled to reflect that the major letters are distinctive in quality of execution and the elaboration of their technique.
In my translation of the poem, I have retained the four fitt structure of Madden for reasons of acceptance. However, for the reader's pleasure, I have ensured that each of the letters - major and minor - are replicated in their precise locations in the poem. In my translation, the combination of the four fitt structure, with minor lettering shown, allows the reader to read the poem as they wish.
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