Currency $ USD
Still funding
46% funded
94 backers

Love, madness, sex, booze and politics in Jazz Age Manhattan. A novel

Spanish-born, New York-raised, Tom Quays is an immigrant kid of pre-war Manhattan. As he grows up, love (Jesca ‘Yes’ Moller is smart, dark-eyed and elusive) and war (Tom, at 18, is pitched into the hell of the Meuse-Argonne) leave him with scars that won’t heal easily. A painful association with the radical printer Eddy Hassler is broken up by death, politics and the FBI.

The Jazz Age – and a novel inspired by the doomed Hassler – brings literary fame and throws Tom into friendship with wild young novelist Colman Smith and the complex and compelling Maggie Rorke – but the memory of ‘Yes’ Moller won’t let him be. Hassler, too, casts a long shadow across Tom’s life. As Tom searches for redemption in radical politics, Col Smith careens off the rails – and takes Tom and Maggie with him. Truth and reality smear into a blur of drink, sex, love and bright city lights.

Who was Eddy Hassler? A radical, an eccentric – or a terrorist? The muckraking journalist Clad Gaskell thinks he knows. And where is ‘Yes’ Moller? There’s a young woman in an upstate mental asylum who looks a lot like her. Amid it all – the doubt, the noise, Col Smith’s madness and the dangerous allure of Maggie Rorke – Tom Quays tries to go on writing, all the while wondering why the hell he even tries. It can’t go on. One night in ’26, it all falls apart.

The politicised ‘30s find Tom booze-soaked and washed up – until an ambitious magazine journalist, Penelope Bailey, takes an interest in his story. A rising star on the staff of the male-dominated Metropolitan, Miss Bailey has troubles of her own. Straitlaced Clad Gaskell and the predatory editor Abe Lambert are lined up against her; Tom Quays – weary, drunk and halfway in love – is drawn into one last fight.

Richard Smyth’s prize-winning short fiction has appeared in Structo, The Stinging Fly, The Fiction Desk, The Stockholm Review, Foxhole, Firewords and a few others. His first novel, Wild Ink, was published in 2014.

He writes about books for the Times Literary Supplement and about various other subjects for journals including theGuardian, New Scientist, BBC Wildlife, New Statesman, New Humanist, and Illustration. He has published four books of non-fiction, sets questions for BBC Mastermind, compiles crosswords for various magazines, and draws cartoons when he isn’t doing any of those other things. He lives in Bradford, West Yorkshire.

From Chapter 2:

“I went to war in 1917. I never drank whisky till I went to war. And it wasn’t until I went to war and drank whisky that I realised that Eddy Hassler put whisky in his coffee. It wasn’t until I went to war that I understood about Eddy Hassler. I didn’t know a thing about Eddy Hassler.” Tom smiled. “But how much can anyone know about anyone anyhow?”

“So what did it matter if Eddy put whisky in his coffee?” Dorothy lifted her elbow on to the back of the couch and smoothed an eyebrow with one fingertip.

“Who the hell said that it mattered? I never said anything about that; what I said was, that was the first thing I really understood about Eddy. You know? It was – it was an intimacy. That’s what it was. Even though at that moment – that moment of realisation – I was ankle-deep in French cowshit with eight ounces of kraut munitions in my knee and Eddy – well, Eddy was back in New York, wasn’t he. In jail. I don’t know if they’d’ve let him put whisky in his coffee.”

Dorothy was shaking her head but there was a smile on her lips.

“And you can be as intimate as you like,” she said, “and still you’ll never know anything about anyone.”

“Is that a question or are you telling me?”

I wouldn’t presume to tell you anything. I don’t believe there’s anything you don’t already know, Great King Thomas of Spain. Was there ever a King Thomas in Spain? I only know about – oh, the one whose beard was singed. My God, I’m ignorant.” She laughed. “And look, now, here’s me without a cigarette.”

“I don’t smoke, I’m afraid.”

“I know you don’t, darling, you’re far too pure and splendid for that. Bunny’ll have cigarettes. You’ll excuse me, won’t you?”

Tom spread his hand so as to indicate that he would.

When Dorothy Parker was first introduced to Tom Quays she dropped to her knees and kissed his hand. The Simpleton And The Sage had just been published, and Tom was twenty-six.

God. Abe Lambert’s falling all over.” She dropped back on to the couch beside him. “Laurie must have started putting liquor in his liquor. But I’m so sorry, Tom.” She drew on her cigarette as though it were a chore that had to be got out of the way, and squinted with a smile through the smoke. “Where were we?”


Summer offer, PLUS Tom Quays at war

Monday, 24 July 2017


It's *peers cautiously out of writer's bunker* summer outside, apparently, so I'm launching a Super Soaraway Summer Special Offer. If you've already pledged to 'Quays' but would still like to help us reach our ever-closer funding target, then (a) THANKS! and (b) talk a friend into pledging for one of the £100+ rewards, and I'll double up on the reward!

Whether it's an original cartoon…

QUAYS: Dorothy, Damon, Manhattan and The Metropolitan

Thursday, 22 June 2017

Hello! I want to share some more of Quays with you. Part of what I'm trying to do in the novel is bring a long-gone Manhattan back to life - and that means not just the Singer building and the Third Avenue el and all the rest of it, but the people, too. So Dorothy Parker shows up. Here she is having a moment with Tom Quays on the corner of Depeyster and Pearl.

Is it just because she’s a writer…

Nearly halfway! ALSO: a bit about birdsong.

Thursday, 1 June 2017

Hello, friends! To celebrate our funding percentage rocketing into the 40s (WOOHOO, and THANKS!), I made a new video. Just me, talking and that.   

QUAYS: What's In It For You? (Pt. 1)

Sunday, 21 August 2016

Tumblr mfxatisnge1qbrdf3o1 500

Hello all, and welcome to an occasional series in which I talk about the GLITTERING REWARDS I'm offering in exchange for a wedge of sponsorship. This one's aimed at writers, and at people who think they might be writers but aren't sure, and at people who would quite like to be writers, and at people who like to buy lovely presents for all or any of the above.

A pledge to Quays of £150 will buy…

Unfortunately: Rejection Slips, 1997-2016

Friday, 12 August 2016

"Why the hell does everyone want to succeed? I'd like to meet somebody who wanted to fail. That's the only sublime thing."

- John Dos Passos, Manhattan Transfer (1925)

"Work like hell! I had 122 rejection slips before I sold a story."

- F Scott Fitzgerald

Hello, all! A new video: either a meditative work of art or a cry for help. I thought it might be fun on a sunny Friday afternoon to…

The Five Greatest Novels Of The Jazz Age

Tuesday, 9 August 2016

Manhattan transfer

Quays - as I might have mentioned - is a novel of the Jazz Age. It's also a novel about books, and without the writers of the 1920s - without Dos Passos and Runyon, Scott Fitzgerald and Parker, Lardner and Lewis - it probably wouldn't exist. So here's a little list: the five best novels of the American 'twenties. And if any of you Bright Young Things fancy picking a fight in the comments section,…

Quays: The Fight

Wednesday, 3 August 2016

"You're making a goddamn fool of yourself. You look like you've never hit a guy before."

"No-one ever fucked my cousin before."

"Is that a fact?"

Writers Tom Quays and Colman Smith come to blows outside a Manhattan nightclub in this booze-soaked, blood-stained episode from Quays - which, in case you didn't know, is open for sponsors now. Head to the Quays homepage to back the book…

Crosswords and Quays

Sunday, 24 July 2016

The crossword – like the bootlegger, the flapper and the skyscraper – was a creature of the Jazz Age.

True, it’s not easy to imagine Isadora Duncan or Bix Beiderbecke giving the nightclub a miss to stop at home and chew their pencil-end over a particularly tricky 8 Down, but it was, nevertheless, in 1920s New York City that the crossword came of age. In 1924, The Cross Word Puzzle Book was published…

Quays 1: hello, thank-you, and getting spifflicated

Monday, 18 July 2016

We hit 10% today, so to celebrate, here's a video!   

Up and running!

Saturday, 16 July 2016

In the F Scott Fitzgerald story 'May Day' (1920), two drunk revellers in an elevator - 'Mr In' and 'Mr Out' - tell the operator that they want to go to 'the top floor'. When told that they are already there, they demand to go even further upwards: 'Have another floor put on!'; 'Higher!'; 'Heaven!'

Thanks to you, my excellent backers, we're on our way up, too. Exciting, isn't it? Thank you so much…

Join in the conversation

Sign in to ask a question