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A comic novel about what happens when the worlds of a 1960s fashion diva and a modern teenager collide: she wants revenge and her reputation back; he’d settle for a safe haven and a warm coat.

Outrageous former fashion celebrity Eloise Slaughter and introverted Kilburn sink estate kid Bradley McCreedy are poles apart. She’s a seventy-something, gin-soaked diva. He’s a seventeen-year old who’s learnt it’s safer to keep his eyes down and his mouth shut. She has a past she likes to boast about. He’s already given up on his future. Yet against the odds, as this comic novel describes, the two of them become a formidable team.

Answering an ad, Bradley finds himself roped in as Eloise’s live-in companion/secretary/domestic help. Unable to recall his name for more than two minutes at a time, she calls him ‘Boy’. Dictating her memoirs of 1960s Swinging London, Eloise re-lives the heady days of her past, from spoilt childhood and failed marriages to Carnaby Street ‘shock frock’ fashion fame.

Bradley, meanwhile, grateful at having escaped his neglectful mother and brutal brother, attempts to bring order into Eloise’s messy life, while making free with her plastic. He finds a friend his own age in fashion-mad Molly. Giving Eloise’s flat a much-needed clean, he’s intrigued to discover a locked room. What secret can Eloise be hiding?

Bradley and Eloise’s relationship is volatile, not helped by her devotion to Bombay Sapphire gin and an increasing tendency to confuse the past with the present. While Eloise struggles with memories of long-ago betrayals and humiliations, Bradley grows in confidence and cunning.

On the very day she reaches the most harrowing part of her memoirs, Eloise has a violent encounter that threatens to push her over the edge. When her only source of income is abruptly cut off, her situation goes from bad to desperate.

Bradley, with Molly’s help, conceives a plan to recover Eloise’s lost riches. But does the inexperienced teenager have what it takes to save the day? Can he be trusted to have Eloise’s best interests at heart, rather than his own? And will the unpredictable Eloise put the mockers on everything? We find the answers in a chaotic and colourful final act that draws together all the major players in Eloise’s long and turbulent life.

Note to Boy is an entertaining romp that touches on universal truths: don’t write people off, just because they’re unimpressive or annoying; don’t let your past screw up your present; and value friendships, no matter where you find them. Oh, and it’s funny too.

You’ve almost certainly never heard of the writer Sue Clark – unless you’re friends or family; in which case you’ll have heard more than enough – but she’s been at this writing lark for quite a while.

If you’ve got a long memory and good eyesight, you may recall her name from various radio and TV comedy shows. Alas Smith and Jones? Weekending? News Huddlines? Jason Explanation? Giggly Bitz? Fast Forward? Any of those ring a bell?

She’s also written short stories for magazines and features for newspapers, as well as contributing to the online satirical website Newsbiscuit. She’s worked for the BBC, ITV, newspapers and, when times were hard, PR agencies.

She’s grilled John Humphreys, exchanged quips with Ronnie Corbett and penned funny lines for the likes of Lenny Henry, June Whitfield, Tracy Ullman, Roy Hudd and David Jason. But she’s never done what she’s always wanted to do: write a novel. Until now.

The background to her comic novel Note to Boy was inspired by a time when she worked in London for a film company, lived in a flat opposite Liberty’s, bought her miniskirts in Carnaby Street, and bumped into James Bond actors at parties. It was almost as glamorous as it sounds.

She now lives in the sort of Oxfordshire market town that spawned Midsomer Murders with her husband and a fluctuating number of adult children. They don’t have a dog.

Note to Boy is her first novel.

She weren’t a bit like I expected.

‘Kindly remove your headgear,’ she goes, ‘in the presence of a lady.’

Well, that’s me done for, I think to meself, pulling off the beanie. Just when everything was going smooth as.

It’s a miracle I get there at all. Never go in that newsagents no more. On the Parade. On account of the creep behind the counter. He’s a gawper. One of the worst. That’s why I always wear a beanie or a hoodie when I’m out. Both sometimes. On account of the gawpers.

ET I call him, inside my head. His fingers is black, you see, from the papers. All except one. That’s pink, glowing pink, like ET off of that old film. Why? ‘Cause it’s always up his nostril, that’s why, digging for buried treasure. One minute he’s snot mining, the next he’s serving sweets to little kiddies. Makes me want to vom.

Like I say, it was stroke of luck I saw it. Sellotaped in the corner of the window.

‘’Wanted!! Urgent!! Refined, respectable lady authoress seeks domestic assistant of same ilk. A degree of reflexology. Usual rates.’ 

And a mobile number.

Well, I get the ‘domestic assistant’ bit. That’s a cleaner, right? But I don’t know nothing about ilks nor degrees. Still, what have I got to lose? I break my rule, nip into the newsagents and pretend to be browsing in the gardening section. I glance over. ET’s got his elbows on the counter, head deep in a mucky mag. As I’m leaving, I feel his dead, gawping eyes follow me to the door. Don’t matter ‘cause I got the card in my pocket. Well, don’t want no-one else going for it, do I?

 

I go home. Just my luck, Dom’s up. He’s in the kitchen, ramming a sarny in his gob like he ain’t ate for a week. Raspberry jam dripping everywhere. Right off, he eyeballs the card. Next thing, he’s snatched it.

‘Watch it,’ I go. ‘You’ll get jam over that.’

‘You’ll get jam over that,’ he goes, in a stupid whiny voice what’s supposed to be me.  ‘What’s this then, Bradley? Postcard from your boyfriend?’

He’s always saying stuff like that.

‘It’s a job,’ I tell him. ‘Leastways, could be.’

‘You stupid or something?’ he snorts. ‘You know Ma’ll go mad if you get a job. What about her bennies?’

‘No, it’s sound,’ I go. ‘Cash in hand.’ Leastways, that’s what I’m hoping.

‘What kinda job?’ He squints at the writing. Never were much cop at reading, our Dom.

‘Dunno ‘til I call, do I?’ 

‘Cheeky,’ he goes, cuffing me one round the ear. I take my chance and reach for the card. He grabs my wrist, twists my arm up my back and shoves his pie-hole up against my ear. ‘You come across anything interesting, you be sure and let your big brother know,’ he hisses, spraying jammy paste over my cheek. ‘No sneaking behind my back, you little freak.’

He loosens his grip and for a sec I think that’s it. Then he comes back at me, jabbing a nasty little Bruce Lee punch above my elbow. He strolls off, still chewing. I hear the flatscreen fire up and stand there, wiping jam and tears off of my face.

Read more...

Less than 3% off halfway - and your chance to win an outrageous prize!

Wednesday, 18 April 2018

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Listen up. I have a special treat for someone. Only 3% to go before we reach halfway. As encouragement to reach that magical point, I'm offering my copy of the autobiography, Moll: Making Of Molly Parkin, to the lucky person whose pledge tips the total over to 50%.

Who is Molly Parkin?  In the 1960s she was a fashion celebrity and hell-raiser, promiscuous, potty mouthed and a total one-off. At…

It's A Numbers Game

Tuesday, 10 April 2018

Unbound Authors are obsessed with numbers. How many people follow them, like their posts, retweet their tweets?. How many people have backed them with pledges? And the biggie, what percentage funding have they reached? 

For a while now I've been obsessed with getting to 50% funding. Somehow, I feel once I'm halfway to being fully funded, the road to publication will become less bumpy. I stare at…

Is there stawberry jam still for tea?

Tuesday, 20 March 2018

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Am I weird? I enjoy the editing part of writing a novel. Creating a draft is either a feverish affair, as my brain and fingers struggle to keep up with my ideas, or else a painful slog when the ideas seem buried deep, encased in concrete, under a motorway bridge.

With editing, you've got something tangible to knock into shape, like bashing a baggy slab of dough. OK, so whole sentences, paragaphs…

Naming of names

Sunday, 11 March 2018

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I’ve often wondered if I should use a pen name. There are some lovely, colourful and exotic monikers among the Unbound community. And Sue Clark isn’t exactly unusual or memorable. But it is my actual name. 

What if I called myself Tallula Featherstone Witty or B K Broomhead? Would it improve my reader (and pledge) appeal? I know some authors change their names almost as often as they change…

Life begins at 40 ... %!

Tuesday, 20 February 2018

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OK. I know it's not a great headline but I'm too excited to come up with another. After languishing in the 30s for a while, thrillingly, Note to Boy left 40% eating dust and is now resting (temporarily, of course) at 41%. That's more than two-fifths of the way to publication, people. Or, for those of a more precise mathematical nature, damned near to nudging halfway.

So, yaaaay! And thank you to…

Scrappy scripts and messy manuscripts

Thursday, 15 February 2018

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Browsing through other Unbound authors' pages, I discovered several offer as rewards early drafts of their manuscripts. How brave of them. They must be better organised than me. I mean, who in their right mind would pledge to own the bundle of scrappy papers, post-it notes, cuttings and scrawls that eventually turned itself into Note to Boy? Exactly!

Thank you pledgers! We're getting close to halfway…

What do you know? My eternal gratitude has been claimed!

Wednesday, 7 February 2018

You're too late. It's gone. My eternal gratitude is no longer up for grabs. An anonymous supporter has generously pledged for it. I'm still trying to work out who it could be? Cillian Murphy? Ian McEwan? Richard Curtis? The woman down the road with the fluffy dogs? More seriously, I'm wondering how I'm going to be able to write a personal dedication to a person who's anonymous. Whatever, my vow of…

What do you know? Note to Boy has reached 33%!

Tuesday, 30 January 2018

Note to Boy, according to my O level maths, is now a third of its way along the journey to publication. Hooray, and thank you to all my supporters! You're a wonderful bunch of heroes. It would be great if we could get it past the 50% landmark, then I could perhaps relax and not keep checking progress every few minutes.

Thanks also for your kind comments about the video. I hope it made you smile…

The video is up!

Monday, 22 January 2018

Check out the Note to Boy video on Unbound. You thrilled to the spectacle of The Last Jedi and the drama of Darkest Hour. Now comes Note to Boy - the Movie. Two and a bit minutes of ... well, me. Hope you enjoy it. Thanks to my trusty film crew for their patience and skill. 

 

 

Biggest pledge yet

Wednesday, 17 January 2018

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Received my biggest pledge yet, to join me on a tour and tasting in a gin distillery. Such a great feeling to know people believe in Note to Boy. Or maybe just really love gin. Either way, thanks. 

Wow, 10% already!

Wednesday, 10 January 2018

A huge thank you to the generous and lovely people who have pledged their support. With your help, despite Christmas and New Year distractions, Note to Boy is 10% of the way along the road to publication. Your reward will be ... wait for it ... a short video, ready soon, telling you a bit more about the book. Sorry about the presenter. It’s the best we could do. Even though he’s now available, Stephen…

Lights, camera and ... hold on a minute

Thursday, 4 January 2018

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Takes longer than you think, this filming lark. Just spent an afternoon getting three minutes of usable material for the Note to Boy video. Let’s hope our talented editing team can sprinkle some fairy dust.

 

 

Pinch, punch, first of the month

Monday, 1 January 2018

Thanks to all those lovely supporters who've dragged themselves away from the mincepies and the awful telly to pledge their support for my book. I don't deserve it. No, really I don't. Well, maybe I do. A bit. It's only the first day of the New Year and already we're up to 6%. What happens next? The video, that's what. The film crew and I have been green-screening and CGI-ing like mad (not really…

First pledges are in!

Friday, 22 December 2017

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Yippee! We’re out of the traps and the race is on. My sincere thanks to the lovely people who’ve already pledged their support. You’ve made my day. 

We have lift off!

Thursday, 21 December 2017

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The Note to Boy campaign has been launched. Eloise and Bradley - heaven help us! - are out in the big world, depending on the kindness of Unbound supporters for their survival. She, gin-soaked and demanding, and he, quiet and cunning, have scores to settle and a racy autobiography to write. Help me get them into print by pledging your support. You’ll be rewarded, not only with a glow of satisfaction…

Eamonn Griffin
Eamonn Griffin asked:

Hi Sue

A question about characters. To what extent do you draw on real people, or on composites of real people, for your two protagonists, or to what extent are they wholly fictional creations?

Thanks!

Sue Clark
Sue Clark replied:

Eloise and Bradley are not me! She's an old, drunken diva. He's a withdrawn, resentful kid. And yet I created the two of them in my head, so to some extent, they must be in me. I certainly don't consciously base characters on people I've met. But sub-consciously - who's to say?

The psychology of writing is endlessly fascinating. Why we do it. How we do it. Why we don't find something useful to do instead. That doesn't answer your question. But then, I don't think anyone really knows the answer.

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