How King Arthur's Death reveals the methods and horrors of mediaeval siege warfare
Sunday, 7 October 2018
In King Arthur's Death, when the king besieges the city of Metz, we are given a detailed insight into the ways in which sieges were fought in this period. What this reveals, as do other elements of the poem, is that its anonymous fourteenth century writer had detailed knowledge of military matters. We are left tantalised as to who the poet really was, and to whom he was connected.
Heraldry in King Arthur's Death
Friday, 21 September 2018
One of the fascinating features in the Alliterative Morte Arthure (King Arthur's Death) is its detailed reflection of fourteenth century English politics, culture and, of course, warfare. This is particularly the case when it comes to the poem's accurate descriptions of the heraldry of Arthur's knights and his foes. But does the heraldry reveal coded secrets of its own - about the people for whom…
King Arthur - did he let pride get the better of him?
Monday, 10 September 2018
King Arthur's Death is an alliterative poem which at once celebrates the triumphs of King Arthur while also demanding of the reader they address their views of war, ethics and morality. If the first half celebrates the former, the second half is when we are left questioning our own moral compass. At what point does Arthur the King become Arthur the flawed man?
This magnificent poem of 4000…
King Arthur's Death - was its writer a mediaeval Quentin Tarantino?
Monday, 20 August 2018
King Arthur's Death - the Alliterative Morte Arthure (the AMA) - is a 14th Century poem unlike any other. Its contrast between the banal and the heroic, the violent and the natural, gives this anonymous poet the style of a mediaeval Quentin Tarantino. His work is truly groundbreaking and utterly astonishing...
For me, the appeal of King Arthur's Death is that it is hugely divorced from the…
The Art of Darkness - printing the illustrations for my translation of King Arthur's Death
Thursday, 9 August 2018
As part of my journey in translating the 14th Century epic, King Arthur's Death (the Alliterative Morte Arthure), a key issue for me has been trying to convey the "gut feel" of this magnficent poem. I have been pulled in a number of directions but now I have arrived at a style which suits my own methodology and fully supports the intended message of this literary masterpiece. Let me tell you a…
The Poet as Witness? Fourteenth Century Warfare in King Arthur's Death
Wednesday, 25 July 2018
To the untrained eye, the 14th century alliterative poem, King Arthur’s Death might be seen as a simple Arthurian romance. Nothing could be further from the truth. This vibrant, action-packed poem possesses a deep irony - possibly based on the poet’s personal exposure to the brutality of mediaeval warfare - and a detailed knowledge of other poems and sources in the Arthurian canon which he uses…
King Arthur - what makes a translation truly authentic?
Thursday, 5 July 2018
Recently, I appeared in a discussion at the Bradford Literature Festival with Daniel Hahn discussing my new translation of Sir Gawain and the Green Knight (also published by Unbound). In just one afternoon, I realised that the work I had been involved with for the last five years had suddenly become something - a serious translation. My next project, King Arthur's Death, has taken on a new responsibility…
This original hand-pulled linocut print of Sir Hugh Calveley could be yours!
Sunday, 24 June 2018
As part of the crowdfunding campaign for my new translation of King Arthur's Death (the fourteenth century Alliterative Morte Arthure written during the reign of either Richard II or Henry IV), I'm pleased to announce a special prize for one lucky pledger for the book!
Once the number of backers reaches 250 (Hardback pledge level or above), everyone who has pledged at those pledge levels will…
The Accountant as Insult in the Morte Arthure
Monday, 18 June 2018
Being written in England around 1400, King Arthur’s Death sheds a fascinating light on the tactics, techniques and sheer plain talking of the English soldiering class around the time of Agincourt. Whoever wrote this astonishing poem was well-versed in how armies were organised and paid for, and, in so being, he highlights a side of warfare which still haunts us today: financiers don’t like fighters…
Enter the Dark Side of Chivalry - Meet the other Sir Gawain.
Thursday, 7 June 2018
Battle plays a major part in the vivid writing of the fourteenth century masterpiece which is King Arthur’s Death (the Alliterative Morte Arthure; one of the key sources for Malory's Le Morte d'Arthur). Yet its anonymous poet chooses to tell us a tale not so much of chivalric romance but of the brutal horror of war. This is particularly true when we consider Sir Gawain, a leading character in…
King Arthur and the Giant of Mont Saint Michel – a gripping mediaeval horror story
Tuesday, 1 May 2018
Above: The Cerne Abbas Giant in Dorset - the basis of, or a model for, the predatory rapine giant in King Arthur's Death?
Giants and ogres are a common feature in mediaeval literature and in King Arthur’s Death (the Alliterative Morte Arthure) we are shown one who is surely one of the most gruesome to have been created. How did the poet manage to create such a vile beast, and one who remains…
Dragons and Dreams – the Uncertainty of Mediaeval Kings
Wednesday, 11 April 2018
When kings in the past were faced with aggression from abroad, how did they react – and why? In the Alliterative Morte Arthure (King Arthur’s Death) we are given significant insights into the diplomacy and thinking of mediaeval kings. It makes for gripping reading, far beyond what we might expect from such a poem.
Mediaeval life was dominated by religion, war and the whim of God. If calamity…
Sharp eyes and steady hands - Illustrating the Alliterative Morte Arthure
Saturday, 31 March 2018
My new translation of the Alliterative Morte Arthure (King Arthur’s Death) begins a new journey for me: translating a vibrant poem of the late fourteenth century (which, incidentally, has a number of hidden meanings) and illustrating it in pen-and-ink. For this post, I want to show you the process I use in my illustrative work, focusing on an illustration of King Arthur himself.