As well as being an historian, I am also a printmaker. The combination of both these areas comes to play in my forthcoming translation of King Arthur's Death (as indeed it did in my translation of Sir Gawain and the Green Knight, also via Unbound, published July 2018), for which I am producing at least 32 linocut prints. In this brief update, I provide a short film showing how I print the linocut…

As Remembrance Day beckons on 11th November, 100 years after the end of the WW1, the war to end all wars, I am reminded of a trip I made a few years back in search of the graves of two of my great-uncles. Like all such quests, there is a sense of loss, futility and deep sorrow for those who sacrificed their lives in a manner so depraved and cruel that even now it beggars belief that leaders could…

The Alliterative Morte Arthure is a masterpiece of fourteenth century regional English poetry. It has pace, it has vim, it has detail, it has message. Above all it has a poetic delivery which makes it stand high as one of the finest works of literature from those dark days of the Hundred Years War. Its delivery is exemplified by its chosen form: the steady percussion of its alliteration.

The…

Historians of military tactics in the Hundred Years War have long dwelled on the use of the longbow in battles such as Agincourt, Crecy and Poitiers and how archers were organised to best effect on the battlefield. The use of the term herce by the chronicler Froissart to describe the configuration of blocks of archers in relation to individual "battles" of knights in the English armies has been…

In King Arthur's Death, when the king besieges the city of Metz, we are given a detailed insight into the ways in which sieges were fought in this period. What this reveals, as do other elements of the poem, is that its anonymous fourteenth century writer had detailed knowledge of military matters. We are left tantalised as to who the poet really was, and to whom he was connected.

The options…

One of the fascinating features in the Alliterative Morte Arthure (King Arthur's Death) is its detailed reflection of fourteenth century English politics, culture and, of course, warfare. This is particularly the case when it comes to the poem's accurate descriptions of the heraldry of Arthur's knights and his foes. But does the heraldry reveal coded secrets of its own - about the people for whom…

King Arthur's Death is an alliterative poem which at once celebrates the triumphs of King Arthur while also demanding of the reader they address their views of war, ethics and morality. If the first half celebrates the former, the second half is when we are left questioning our own moral compass. At what point does Arthur the King become Arthur the flawed man?

This magnificent poem of 4000…

King Arthur's Death - the Alliterative Morte Arthure (the AMA) - is a 14th Century poem unlike any other. Its contrast between the banal and the heroic, the violent and the natural, gives this anonymous poet the style of a mediaeval Quentin Tarantino. His work is truly groundbreaking and utterly astonishing...

For me, the appeal of King Arthur's Death is that it is hugely divorced from the…

As part of my journey in translating the 14th Century epic, King Arthur's Death (the Alliterative Morte Arthure), a key issue for me has been trying to convey the "gut feel" of this magnficent poem. I have been pulled in a number of directions but now I have arrived at a style which suits my own methodology and fully supports the intended message of this literary masterpiece. Let me tell you a…

To the untrained eye, the 14th century alliterative poem, King Arthur’s Death might be seen as a simple Arthurian romance. Nothing could be further from the truth. This vibrant, action-packed poem possesses a deep irony - possibly based on the poet’s personal exposure to the brutality of mediaeval warfare - and a detailed knowledge of other poems and sources in the Arthurian canon which he uses…

Recently, I appeared in a discussion at the Bradford Literature Festival with Daniel Hahn discussing my new translation of Sir Gawain and the Green Knight (also published by Unbound). In just one afternoon, I realised that the work I had been involved with for the last five years had suddenly become something - a serious translation. My next project, King Arthur's Death, has taken on a new responsibility…

As part of the crowdfunding campaign for my new translation of King Arthur's Death (the fourteenth century Alliterative Morte Arthure written during the reign of either Richard II or Henry IV), I'm pleased to announce a special prize for one lucky pledger for the book!

Once the number of backers reaches 250 (Hardback pledge level or above), everyone who has pledged at those pledge levels will…

Being written in England around 1400, King Arthur’s Death sheds a fascinating light on the tactics, techniques and sheer plain talking of the English soldiering class around the time of Agincourt. Whoever wrote this astonishing poem was well-versed in how armies were organised and paid for, and, in so being, he highlights a side of warfare which still haunts us today: financiers don’t like fighters…

Battle plays a major part in the vivid writing of the fourteenth century masterpiece which is King Arthur’s Death (the Alliterative Morte Arthure; one of the key sources for Malory's Le Morte d'Arthur). Yet its anonymous poet chooses to tell us a tale not so much of chivalric romance but of the brutal horror of war. This is particularly true when we consider Sir Gawain, a leading character in…

Above: The Cerne Abbas Giant in Dorset -  the basis of, or a model for, the predatory rapine giant in King Arthur's Death?

Giants and ogres are a common feature in mediaeval literature and in King Arthur’s Death (the Alliterative Morte Arthure) we are shown one who is surely one of the most gruesome to have been created. How did the poet manage to create such a vile beast, and one who remains…

When kings in the past were faced with aggression from abroad, how did they react – and why? In the Alliterative Morte Arthure (King Arthur’s Death) we are given significant insights into the diplomacy and thinking of mediaeval kings. It makes for gripping reading, far beyond what we might expect from such a poem.

Mediaeval life was dominated by religion, war and the whim of God. If calamity…

My new translation of the Alliterative Morte Arthure (King Arthur’s Death) begins a new journey for me: translating a vibrant poem of the late fourteenth century (which, incidentally, has a number of hidden meanings) and illustrating it in pen-and-ink. For this post, I want to show you the process I use in my illustrative work, focusing on an illustration of King Arthur himself.

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