A copy of the ebook in all three DRM-free, standard formats (.epub, .mobi and PDF)
Ebook edition and your name in the list of patrons in the back of the ebook
Ebook edition and your name in list of Super Patrons in the front of the ebook
Limited Edition Cover Art
Limited edition giclée print of the cover art from Unbound's award winning designers, ebook edition and your name in the Super Patrons list in the front of the ebook.
Everything at Super Patron level plus access to a special Ghost Variations digital playlist curated by the author.
An invitation for 2 people to attend the launch party, plus everything at the Playlist level.
Early Bird Concert Special
MUST BE BOOKED BY 31 JANUARY 2016. Join our group visit to the Orchestra of the Age of Enlightenment’s concert at the Royal Festival Hall on 6 February 2016 (7pm, or 5.45pm with pre-concert talk) including the Schumann Violin Concerto and enjoy an informal discussion with Jessica and fellow Ghost Variations Early Bird patrons after the performance.
(One ticket per pledge, travel not included) Also includes everything from the playlist level.
ONLY 9 AVAILABLE
Sponsor A Character
Sponsor one of the novel’s characters and receive extra background material about him or her from the author, plus your name in a special list of Character Sponsors in the front of the ebook. Choose from Jelly d’Arányi, Adila Fachiri, Myra Hess, Donald Francis Tovey and Yehudi Menuhin. Plus everything at the launch party level.
A personal dedication from the author in the front of the ebook plus everything at the Launch Party level
Only one available
Personal illustrated lecture in your own home (or other venue if you have access to one). Jessica will present a talk with musical illustrations for you and your friends about Jelly d’Arányi and the Schumann Violin Concerto (you’ll have to cover travel expenses, and accommodation if outside London). Plus everything at the launch party level.
Frequently Asked Questions
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The strangest detective story in the history of music – inspired by a true incident.
A world spiralling towards war. A composer descending into madness. And a devoted woman struggling to keep her faith in art and love against all the odds.
1933. Dabbling in the fashionable “Glass Game” – a Ouija board – the famous Hungarian violinist Jelly d’Arányi, one-time muse to composers such as Bartók, Ravel and Elgar, encounters a startling dilemma. A message arrives ostensibly from the spirit of the composer Robert Schumann, begging her to find and perform his long-suppressed violin concerto.
She tries to ignore it, wanting to concentrate instead on charity concerts. But against the background of the 1930s depression in London and the rise of the Nazis in Germany, a struggle ensues as the “spirit messengers” do not want her to forget.
The concerto turns out to be real, embargoed by Schumann’s family for fear that it betrayed his mental disintegration: it was his last full-scale work, written just before he suffered a nervous breakdown after which he spent the rest of his life in a mental hospital. It shares a theme with his Geistervariationen (Ghost Variations) for piano, a melody he believed had been dictated to him by the spirits of composers beyond the grave.
As rumours of its existence spread from London to Berlin, where the manuscript is held, Jelly embarks on an increasingly complex quest to find the concerto. When the Third Reich’s administration decides to unearth the work for reasons of its own, a race to perform it begins.
Though aided and abetted by a team of larger-than-life personalities – including her sister Adila Fachiri, the pianist Myra Hess, and a young music publisher who falls in love with her – Jelly finds herself confronting forces that threaten her own state of mind. Saving the concerto comes to mean saving herself.
In the ensuing psychodrama, the heroine, the concerto and the pre-war world stand on the brink, reaching together for one more chance of glory.
REVIEWS OF GHOST VARIATIONS
The Jewish Chronicle
SCHUMANN’S LOST concerto and a virtuoso femme fatale keep you gripped and guessing in Ghost Variations. Set in 1930s London, this musical mystery by Jessica Duchen strikes a hot-blooded tune with grace notes from beyond the grave. The story centres on Jelly d’Aranyi, Hungarian, part-Jewish violinist and siren muse of Bartok, Ravel and Elgar.
The Daily Mail – John Suchet's Best Read of the Year, 2016
A thrilling read set in Thirties London and Germany. It’s the true story of Robert Schumann’s lost violin concerto, and the race between a Hungarian violinist and the Third Reich to find and perform the work.
Jessica Duchen writes for The Independent on classical music, opera and ballet, and during the past 25 years has interviewed many of the world’s finest musicians. Her first four novels (published by Hodder) have gathered a loyal fan-base and wide acclaim. “Duchen has a rare talent which is increasingly being recognised” (Gavin Esler, The Glasgow Herald).
Jessica grew up in London, read music at Cambridge, also studying piano, and felt torn at first between the prospects of a musical career and a literary one. Having decided to be “sensible” – perhaps a debatable point – and choose the latter, she held editorial posts on several music magazines before going freelance to concentrate on writing.
Her interest in cross-genre arts finds music playing a vital role in her novels as well as her journalism, and she frequently narrates concert versions of two of them, Alicia’s Gift and Hungarian Dances. She is currently writing an opera libretto for the composer Roxanna Panufnik, a commission from Garsington Opera for 2017.
Her output also includes two plays, biographies of the composers Erich Wolfgang Korngold and Gabriel Fauré (both published by Phaidon) and her popular classical music blog, JDCMB (http://jessicamusic.blogspot.com).
Jessica lives in London with her violinist husband and their two cats. She enjoys playing the piano, preferably when nobody can hear her, as well as cookery, long walks and plundering second-hand bookshops for out-of-print musical gems.
Jelly laid out the letters alphabetically in a two-row semi-circle on the kitchen table – which seemed the least formal, least frightening environment. Beside them she set in place an upended tumbler. In his basket by the back door, Cesar yawned and thumped his tail before going back to sleep, nose on paws.
She scrawled “yes” and “no” on pieces of paper ripped from a notebook, each in her huge, untutored hand. She had gone to school for eight days; each time, she’d cried so much that eventually her mother could stand it no longer, took pity and kept her home. After that, Jelly could – and did – play her violin to her heart’s content. Today she fitted about twelve words on to an average piece of letter paper.
They lit a sole candle; around it the rest of the room disappeared into the night, while an island of surreal creamy gold highlighted the whorls in the old wooden surface. Now this seemed a cavern fit for other-worldly activities. The two women sat opposite each other; Jelly tried to steady her hand, which was quivering a little with nerves.
- 30th July 2019 IMMORTAL: my new Beethoven novel, coming soon...
Dear friends and supporters,
If you enjoyed the historical musical mystery of 'Ghost Variations', you'll love - I hope - my new book currently in the works.
For the past few years I've been reading obsessively about Ludwig van Beethoven's 'Immortal Beloved' - the unnamed addressee of an impassioned love letter that he wrote in July 1812. Supposedly nobody knows exactly who she was,…21st June 2017 Welcome to MEETING ODETTE
(This isn't the cover and it probably isn't the title either, but a kind and creative author friend came up with the image on Canva and sent it to me)
I used to have a recurring dream. I was in the library, looking for a book. I knew I'd seen it once before. I couldn't find it. It was a book of Swan Lake. I would always wake up knowing there was something inside it that I wanted, or needed…26th December 2016 Merry Christmas! And here's my nicest present ever...
Dear friends and supporters,
A very merry Christmas to you all and my very best wishes for a wonderful year in 2017! I can't thank you enough for your enthusiasm for GHOST VARIATIONS through the year that is now ending. At a time when the world has left me with a few serious questions to ask someone, sometime, about what on earth was going on, you have helped me hang on to a bit of faith in humanity…31st October 2016 LAST CHANCE OF 2016 TO HEAR THE 'GHOST VARIATIONS' CONCERT
Above: Jelly d'Arányi at her most exotic
Dear friends and supporters,
Do please join me, David Le Page and Viv McLean at the Barnes Music Society, London SW13, on the evening of Thursday 3 November for a last chance this year to hear the 'Ghost Variations' concert. All details and booking here.
The Leighton House concert went like a dream the other week and I was overjoyed afterwards…30th September 2016 THREE MORE GHOST VARIATIONS CONCERTS!
Dear Ghost Variations friends,
It was lovely to see so many of you at St Mary's Perivale the other week for the first in our autumn series of Ghost Variations concerts. Thanks for joining us on that gorgeous Septumbral evening!
The good news is that there are three more chances to come and hear the show this year. In it, I narrate with extracts of the book plus some explanation, background and…30th August 2016 PLEASE COME TO ST MARY'S PERIVALE ON 7 SEPTEMBER!
Dear Ghost Variations friends, tomorrow my performance partners David Le Page and Viv McLean - an absolute knockout of a violin and piano duo - join me for the first of four concerts we are giving through the autumn based upon 'Ghost Variations'. I narrate, they play the appropriate music and thus we tell the story together.18th August 2016 How to succeed as a writer in tough times...
My dear friend Joanna Pieters, who used to be editor of The Strad magazine, now has her own creative life-coaching company. She has recently launched a series of podcasts in which she quizzes creative types from all fields about how and why they do what they do.
Since I've been finding the discussions absolutely riveting, I was tickled pink to be included. And I found her asking me about matters…15th August 2016 An A-Z of GHOST VARIATIONS continued: J– L
It's high time we carried on with the A-Z, otherwise the book will be out before it's finished! Just a couple of weeks to go now, and counting down hard...
So, without further ado, here is...
J IS FOR JELLY D'ARÁNYI. Our heroine, pronounced Yelly, is a true-life legend in the musical world. The great-niece of the violinist, composer and professor Joseph Joachim - best friend to Brahms - she…27th July 2016 An endorsement from Sir András Schiff!
Sir András Schiff is one of today's greatest pianists. Born in Hungary, he now lives in London and Italy and is celebrated the world over for his interpretations of the Austro/German heartlands of the piano repertoire, the music of his fellow countryman Bartók, and much more besides - though perhaps he has always been most associated with Bach. As a Hungarian emigré in London and someone who reveres…11th July 2016 COMPETITION: WIN A NEW CD OF THE SCHUMANN VIOLIN CONCERTO
My friend and colleague Philippe Graffin, the fabulous French violinist, has just released his new recording of the Schumann Violin Concerto. As you know, this is the work that lies at the heart of Ghost Variations. The CD also features Schumann's Phantasie in D minor for violin and orchestra and the Mendelssohn Violin Concerto in E minor. Philippe is partnered by the Orchestra di Padova e del…14th June 2016 Why this, why now?
I started writing Ghost Variations about five years ago, in 2011, struck by the country's volatile mood and widespread interest in the 1930s. We'd had the 2008 crash, innumerable people were struggling, life was changing at an extraordinary rate as an ideologically-orientated government decided to hammer the country further by introducing "austerity" and big business cashed in for all it was worth…31st May 2016 A-Z of GHOST VARIATIONS: G to I...
I hope you've had an excellent bank holiday. I'm up to my eyeballs in the second edit at the moment, so not having a break, though I'm in need of one.
Our A to Z of Ghost Variations continues today with G. Which is easy. Or is it?
G is for...GHOST VARIATIONS.
First: there aren't ghosts. If you think Schumann is going to loom forth amid a fount of ectoplasm, you'll be disappointed…18th May 2016 A-Z of GHOST VARIATIONS - Part 2
Let's continue the A-Z today with D-F. I was hoping to find a recording of Alexander Fachiri, Adila's husband, playing the cello - he was one of those frighteningly gifted people who not only had a fine career as lawyer, but was almost equally accomplished as a musician. However, nothing's come to light yet, so above there appears a recording by Adila and Jelly of a beautiful duet by Spohr, which…10th May 2016 An A-Z of GHOST VARIATIONS - part 1
This is the first part of an ongoing series about who's who and what's what in Ghost Variations. I thought it might be a fun way to whet your appetites! Our A-Z will appear in chunks of three or four at a time, with listening and/or viewing material whenever I can find it. And how better to begin than with...
A is for....ADILA.
Our heroine Jelly's closest ally, her much-loved…4th May 2016 Schumann's May
Warmest greetings from the Ghost Variations Shed, where May has brought us some much-needed sunshine and a publication date: the book will be out on 1 September.
That will be in time for an exciting round of associated concerts in which the violinist David Le Page, the pianist Viv McLean and I will present our programme of readings and music based on the book. Dates for your diary…25th April 2016 The other violinist of Ghost Variations!
Hello, dear Ghost Variations supporters! I'm up to my eyeballs in the editing process at the moment, so please forgive the Shed silence these past weeks...but as the world has been very busy celebrating the centenary of Yehudi Menuhin this month (22 April) it seems a timely moment to take a closer look at the great violinist's role in our story.
Jelly's discovery of the Schumann Violin Concerto…29th March 2016 Gem collecting...
I've been keeping a "commonplace book" for [gulp] around 30 years. It's a chunky leather notebook in which, as a student in 1986, I began to copy out occasional pieces of prose or poetry that tugged at the bellropes in the back of my mind. The first entry was from a letter by the composer Claude Debussy, despairing at the uncongenial atmosphere in which he was attempting to study in Rome. His personality…14th March 2016 On the awkward bit
Of course, a book like this involves masses of "awkward bits". For the reader, it should hold the best of reality and fiction; for the writer, though, it entails the most tooth-gnashingly tricky aspects of both.
Still, the most awkward bit of Ghost Variations - as you can imagine if you've read the synopsis - is those "spirit messages". Somehow we need to suspend disbelief to the point that these…28th February 2016 You are warmly invited to the first public presentation of GHOST VARIATIONS!
On 21 March at the Hungarian Cultural Centre, London, at 7pm, I will be giving the first public presentation of GHOST VARIATIONS, together with my regular concert partners, violinist David Le Page and pianist Viv McLean. I'll start with an introductory talk about Jelly d'Arányi and the saga of the Schumann Violin Concerto, after which we will offer an alternation of readings from the book with music…22nd February 2016 We're in The Independent today!
I'd hoped to do this article for The Independent a little closer to Ghost Variations' publication date, planned for summer, but, as you've probably heard, the paper is closing its print operations in late March and I have no idea whether or not I'll be writing for the new-look website version. Therefore I've done it now instead.
So here is the story of how Ghost Variations came to be. Enjoy!
…4th February 2016 Mirren, Marin and me
I was extremely fortunate - thanks to the Orchestra of the Age of Enlightenment - to be drafted in to a discussion on BBC Radio 4's "Women's Hour" this morning to talk about the Schumann Violin Concerto and how Jelly d'Arányi rediscovered it. I was sidekick to the dynamic conductor Marin Alsop, who is wielding the baton over the piece tonight (Thursday) in Basingstoke and on Saturday evening in the…2nd February 2016 We made it - in less than two weeks!
It's all thanks to you, if you're reading this: Ghost Variations has reached its crowd-funding target in just 12 days. Currently support is running at 104 per cent and I can't quite believe my eyes. Yes! We're there! And faster than I ever believed possible.
You see, for as long as I've been writing novels, people have been saying to me: "Oh, er, you write about classical music? We don't think…22nd January 2016 Meeting Jelly?
Many novelists will tell you their characters are real. At least, inside their heads. Even Charles Dickens, according to Claire Tomalin's fabulous biography, used to find that some of his creations kept him company, metaphorically speaking, until the end of his life - and he hated having to kill them when his narratives demanded it.
Some writers populate their novels with actual people. I remember…19th January 2016 Authors should be read, but neither seen nor heard. Oops...
First things first. Welcome to the GHOST VARIATIONS shed at Unbound! If you're reading this post, it means that you have either become a founder supporter of this rather "different" (="weird"?) book, or you might be considering it. For which, THANK YOU from the bottom of my heart. I've woken up on Day 2 of the campaign to find that we are 11 per cent funded, which means that it's off to a flying start…
These people are helping to fund Ghost Variations.
Rhel ná DecVandé
Rhel ná DecVandé
An anonymous donor