All The Perverse Angels

By Sarah K. Marr

Spanning Victorian Oxford to the London of the 1980s, “All the Perverse Angels” is a novel about the nature of loss and the confusion of love, about the stories we are told and the stories we tell ourselves

Thursday, 17 November 2016

The Joy of Hex: on Editing.

All my edits are in blue, written with the marvellous Hex-O-Matic™ Retro 1951 propelling pencil.

 

I thought I’d share a quick glimpse into the dark heart of my editing process. You may ask, “What have I done to deserve this?” but, alas, your question falls on deaf ears.

I find that I can’t edit on a computer screen, certainly not when I’m dealing with more than a few pages of text. I need the sense of place and progress which comes with a sheaf of papers, and the ease of to-ing and fro-ing amongst scenes. What’s more, I can take any changes through multiple iterations before committing them to the digital draft: first with edits on a note-by-note basis; then with edits across multiple scenes; and finally when revisiting each edit as I update the digital manuscript.

 

 

The picture you see here is of pages 91 and 92 of “All the Perverse Angels” (with the text Greeked, because I don’t want to spoil the surprise for you), printed after their return from my wonderful editor, Liz. The black bits are the printed text, with Liz’s notes in the grey boxes to the right of the page. All my responses to those notes—and any problems I find during my own re-read—are in blue, written with the marvellous Hex-O-Matic™ Retro 1951 propelling pencil, shown on the right-hand page. I swap to red pen once I’m updating the digital document: mostly the red is just ticks to show I’ve made the required updates, but occasionally I’ll revise the text as I’m typing, too.

The good news is that the development edit has been relatively minor. These two pages are some of the ‘busiest’ in the whole novel and even this is, mostly, just a rewrite of the first paragraph, to correct the sense of time having passed between the end of chapter six and this chapter. The first round of the edit has been completed and the updated draft is back with Liz. We think that we should be bringing this stage of editing to an end by late December, or early in the new year.

In summary: paper and a Hex-O-Matic™ pencil with blue leads make your author happy and productive. Don’t tell me that’s not important to you. (No, really: even if it isn’t, don’t tell me.)

Back to project synopsis
Share on social

Comments

Darren Reynolds
 Darren Reynolds says:

Do you know what a dogging key is? I daren't Google it, but apparently Dor-O-Matic™ now make hex dogging keys. I doubt it has anything to do with your pencil but I thought I would mention it.

posted 17th November 2016

Barbara Logan
 Barbara Logan says:

I think I need one! <3

posted 19th November 2016

Top rewards

£20  + shipping
105 pledges

Hardback

First edition hardback book, and e‐book edition
Choose this reward
£10 
57 pledges

Digital

E-book edition
Choose this reward